What would you do if you find yourself unable to love your child? What if your child didn’t love you? Eight-year old Hanna is sweet and precocious for her father, even if she is unwilling to speak. But for her mother Suzette, Hanna is a manipulative and destructive child who seems hell-bent on destroying the relationship between her parents. As Suzette becomes increasingly strained by Hanna’s behavior, Hanna’s tricks become more sophisticated when she decides that she may have to remove her mother from the picture altogether.
I read a lot, and I mean a lot of horror novels, but this debut novel by author Zoje Stage scared the pants off me. The premise is entirely ridiculous and utterly silly but it’s crafted within enough care to keep the level of suspense heightened until the very end.
The split narrative varies between mother and daughter so that the reader comes to sympathize with both characters. It would be easy to write off Hanna as a deranged child psychopath like Macaulay Culkin in The Good Son, but that would be too easy. Instead we can understand Hanna’s skewed viewpoint and how she has somehow come to view her mother as the enemy. She is never depicted as a “demon child” so much as a confused and disturbed little girl. We can also understand how Suzette has reached a breaking point when it comes to parenting a increasingly difficult child.
There is a hint of Rosemary’s Baby in Suzette’s relationship with her husband. He is too often absent, and since Hanna puts on her best face for her Daddy, inclined to side with her. As the father, Alex is the least developed character and too often plays the role of biased mediator. There are many instances where he says that his wife is “over-reacting” and that there daughter is simply “under stimulated” at home. This is a fairly lazy plot device in 2018 when most parents are more involved in their children’s upbringing.
This book is sure to be controversial with the mommy crowd, particularly the ending. As a currently childless woman, I found the ideas presented in Baby Teeth to be simultaneously disturbing and highly entertaining. It was certainly a compelling read from beginning to end.
My rating: 4/5
You can find Baby Teeth here on Amazon or here on Book Depository.
Happy reading everyone!
Shortly after a brief stay in a psychiatric hospital, Chicago journalist Camille Preaker is summoned back to her rural Missouri hometown to cover the brutal murders of two young girls. This means that Camille must get back in touch with her family, who she has been estranged from for many years. Her neurotic, hypochondriac mother doesn’t seem overjoyed to see her eldest daughter. Her half-sister has grown into a beautiful and manipulative teenager. And her stepfather seems content to sip cocktails and watch from the sidelines. While investigating in a town that seems increasingly hostile, Camille must struggle to maintain her own mental health while trying to find out everything she can about the deaths of two girls who begin to evoke memories from her own past.
Six years before Gone Girl became a runaway bestseller and changed the thriller genre forever Gillian Flynn published her debut novel, Sharp Objects. It’s easy to see Flynn’s obvious talent as well as how she grew as an author with her follow-up books. Sharp Objects is a shorter novel that immediately dives into a dark and haunted place and stays there for the duration.
Everyone in this book seems to be suffering from some form of deeply unhealthy obsession. Even the town itself has a kind of malignant tumor that infects the overall atmosphere. Camille’s family is a warped and twisted caricature of love. Her mother Adora demands control over everyone in her life and is willing to excise anyone who defies her authority, even her own daughter. Camille’s thirteen year old half-sister Amma has learned how to play her mother and everyone else in the town, consummately changing personalities to fit people’s individual perceptions. For Camille, who is dealing with a history of self-arm and anxiety, this is the worst place she could possibly be.
Gillian Flynn deserves props for presenting an honest and unflinching portrayal of mental illness. Camille’s fragile mental state is never romanticized, but neither does it define her entirely. She is more than her illness, and works every day to better herself. At the same time she is ashamed of what she believes to be a weakness, and self-medicates with drugs and alcohol to dull her pain. The longer Camille remains with her family, the stronger the urge to self-harm becomes.
I really enjoyed this novel for its dark and twisted portrayal of familial bonds. The tangled relationship between Camille and those who are supposed to love and support her are described in a realistic if incredibly destructive manner. I could easily relate to Flynn’s protagonist who has to hold on to her inner strength when it becomes nearly impossible to do so.
My rating: 4/5
You can find Sharp Objects here on Amazon or here on Book Depository.
Happy reading everyone!
Thirteen year old Emma Davis is beyond excited to be a camper at the exclusive Camp Nightingale in upstate New York. She immediately becomes enamored with Vivan, Allison, and Natalie, her three older bunkmates who take Emma under their wing and treat her like a little sister. Vivian’s favorite game is Two Truths and a Lie, and the girls spend their nights playing. It all ends one night when Emma awakens to find that her new friends have vanished without a trace.
Fifteen years later, Emma is a rising star in the art scene. She is haunted by the memories of the missing girls, and finds herself painting them and them covering them up over and over. Her work eventually catches the notice of Franny Harris-Smith, the former owner of Camp Nightingale. The camp is re-opening, and Franny offers Emma a job teaching art to a new group of girls. Emma agrees and returns to Camp Nightingale in the hopes of finally solving the mystery of the missing girls and ridding herself of the ghosts and guilt of the past.
This novel is an entry in the increasingly popular genre that I like to call the “predictably unpredictable thriller”. These novels have become more and more prevalent following the runaway success of Gone Girl and include such entries as The Girl on the Train and The Woman in Cabin 10. Things to look for in the predictably unpredictable thriller include a deliberately enigmatic plot that seeks to squeeze every possible drop of mystery out of its storyline before finally revealing its secrets. Expect clunky and unhelpful foreshadowing. The reveal itself will unwind in about fifteen stages, and will contain just enough logic that it cannot be considered a cheat. The final ten or so pages will typically include one final twist that leaves everything that came before open to interpretation. Like the Halloween films, these novels can’t be satisfied without one final scare, no matter how unnecessary.
Honestly, that about sums up everything you need to know about The Last Time I Lied. None of the characters are particularly interesting because they only exist to say ominous things and drop hints that more often than not turn out to be red herrings.
So far it sounds as if I hated this novel, but that truly isn’t the case. Riley Sager is a competent author and the overall storyline was compelling enough that I finished the book in two days. It’s more that I find the whole psychological thriller genre to have jumped the shark. Instead of a series of events which serve to unravel a mystery that makes sense when viewed as a whole, it’s becoming more and more common to cram in as many twists and turns as possible. The problem is that too often those twists and turns come at the expense of a cohesive plot.
My rating: 3/5
You can find The Last Time I Lied here on Amazon or here on Book Depository.
Happy reading everyone!
When her outgoing and tenacious friend Pia suggets a river rafting trip in the isolated woods of Maine, Wini is uncertain and afraid but ultimately agrees to attend. Together with their other friends Rachel and Sandra, the four women meet up with a young man named Rory who guarantees them a rafting trip that is unforgettable and “off the grid”. But their off the grid adventure quickly becomes disastrous when the unexpected occurs.
Reading this novel, I was strongly reminded of Neil Marshall’s 2005 horror film The Descent. The Descent is a film about six female cave divers who find more than they bargained for in the depths of the Appalachian caverns. It has strong similarities to The River at Night. An almost complete lack of meaningful male characters. The love/hate relationship that often exists in groups of female friends. The sense of humility that people feel when confronted with the sheer power of nature. Since The Descent is one of my all-time favorite horror films, I was immediately drawn in to the story of the four woman who venture into the wilds of Northern Maine.
There is also an element of the classic “cabin in the woods” genre. We are given numerous descriptions of the dangers of the region before the women embark on their trip. They stay at a pokey little lodge the night before their trip, and one of the women begins to feel apprehensive about their upcoming expedition. There’s even a scene with the archetypal “guardian at the gate”, in this case an overweight shirtless man and his cronies who have recently shot a deer, who warn the group to turn back, that this river “does not belong to them”. All that was missing was for one of the group members to begin making statements like “What could go wrong?” or “I’ll be right back”.
Despite all the apparent cliches, this genre has maintained its popularity because it’s really good fun. The River at Night is no exception, it promises a suspenseful and thrilling adventure in the woods and that is exactly what it delivers. I was easily drawn into Wini’s narrative. She is a woman nearing middle age who is beginning to realize that she hasn’t accomplished much with her life. Her friends are all in a similar situation, having dealt with disease, divorce, and raising children for so long that their true selves seem to have been lost in the muddle. The rafting trip represents a chance to reclaim a piece of their fearless youth, and it is only once things begin to go awry that they realize how impossible a task they had set for themselves.
Ferencik has an imperfect grasp of foreshadowing which caused me to raise an eyebrow now and then. She will make an ominous statement about future events, only for said event to occur in the following paragraph. That doesn’t exactly keep me on my toes. And some of the troubles that beset the group seemed a bit contrived. But these were minor flaws which did not take away from my overall enjoyment of the novel.
Overall, The River at Night offers a fun and exciting addition to the nature thriller genre. Reading this novel felt effortless, like stepping into cool water on a hot summer’s day.
My rating: 3.5/5
You can find this novel here on Amazon or here on Book Depository.
Happy reading everyone!