Book Review: A Door Into Ocean by Joan Slonczewski (1986)

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Review 2.16

 

A Door into Ocean is the novel upon which the author’s reputation as an important SF writer principally rests. A ground-breaking work both of feminist SF and of world-building hard SF, it concerns the Sharers of Shora, a nation of women on a distant moon in the far future who are pacifists, highly advanced in biological sciences, and who reproduce by parthenogenesis–there are no males–and tells of the conflicts that erupt when a neighboring civilization decides to develop their ocean world, and send in an army. [Source]

Unlike many genres, science fiction and fantasy writers often face the uphill task of world building. If the story is set anywhere other than the planet Earth, and concerns any characters that aren’t human, it’s the author’s arduous task to make this place have weight and meaning in our imaginations.

This can be a difficult balancing act, because instead of jumping right into the plot, science fiction first requires that the reader understand the “rules” of this particular universe. I say this because some critics (including some in my book club) became frustrated by A Door into Ocean due to its rather slow exposition. And it does take more than fifty pages for the planet of Shora to even make an appearance. First, Slonczewski has to establish the two worlds.

A Door into Ocean will draw inevitable and accurate comparison to novels such as Dances with Wolves, or films like Avatar and Disney’s Pocahontas. Often called the “white savior” trope, these stories all share a basic narrative structure. An outsider from a more “advanced” culture will come to a world populated by “savages”. Over time the outsider will become more and more drawn to the natural and pure ways of the natives, and in the process will betray his own people, who are often ruthless, violent, and mercenary. This is not a criticism. There are only so many stories to be told in the world; what separates good novels from the merely mediocre is the author’s ability to bring an old story to life in a new and interesting way.

Joan Slonczewski succeeds in this area by making her novel a sort of philosophical thought experiment on the nature of pacifism. Populated solely by women and daughters, the ocean world of Shora has been left untouched for millennia. The “Sharers” have a disorganized, almost anarchist society that has no concept of obedience, and therefore no concept of resistance. As the invading “malefreaks” attempt to impose martial law on the planet, the questions remains if the Sharers will remain true to their nonviolent history, turn to a violent future, or be wiped off the face of Shora entirely.

Even though it takes awhile to get there,  the planet of Shora is a fascinating and dangerous place. It is no idyllic paradise, and the dangers faced by the Sharers by their own natural environment gives the narrative a surge in excitement once it finally sets down on the ocean world.

The thing I love about good science fiction is the interesting discussions it can spark. I’ll enjoy chewing over the ideas presented by A Door into Ocean for the next couple of days to see what I uncover.

My rating: 4/5

You can find A Door into Ocean here on Amazon or here on Book Depository.

Happy reading everyone!

Book Review: The Fifth Season by N. K. Jemisin (2015)

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Review 2.10

 

Three terrible things happen in a single day. Essun, a woman living an ordinary life in a small town, comes home to find that her husband has brutally murdered their son and kidnapped their daughter. Meanwhile, mighty Sanze — the world-spanning empire whose innovations have been civilization’s bedrock for a thousand years — collapses as most of its citizens are murdered to serve a madman’s vengeance. And worst of all, across the heart of the vast continent known as the Stillness, a great red rift has been been torn into the heart of the earth, spewing ash enough to darken the sky for years. Or centuries. [Source]

If you’ve ever seen AMC’s The Walking Dead,  you’ll have noticed that episodes of the show tend to follow a very predictable pattern. Something really interesting and surprising happens in the first ten minutes, which grabs your interest and makes you excited to keep watching. This is followed by roughly thirty minutes of aimless wandering, idle chatter, and speeches about the unfairness of life, during which time you zone out and mostly stare at your phone. Then, in the last three minutes there is another interesting and surprising event which leaves you hungrily awaiting the next episode.

The Fifth Season is the high fantasy novel equivalent of an episode of The Walking Dead.

The set-up is narrated in the second-person and introduces you to the main cast of characters. A woman is mourning the death of her son at the hands of her husband. A mysterious figure in a shining city causes untold destruction. An ambitious acolyte takes on an undesired task. It is written in a way that reminded me of death’s narration in The Book Thief, distant but personal at the same time. Things were off to a good start.

The problem comes when Author N. K. Jemisin continues to employ that second-person narrative style in every chapter focused on Essun, the main female protagonist. Rather than adding an extra layer to the story, switching back and forth from the second to the third voice was incredibly jarring. It pulled me out of the story time and time again.

After its promising beginning, The Fifth Season spends the bulk of it’s 350+ pages moving various characters from one place to another. This offers multiple opportunities to explore the land and peoples inhabited in this world, but also becomes increasingly tedious as time goes on. At some point my curiosity dwindled, and I no longer cared very much about the fate of the broken Earth or its residents.

My rating: 3/5

You can find The Fifth Season here on Amazon or here on Book Depository.

Happy reading everyone!

 

 

Book vs Film: The Martian

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This is one of the very rare instances where I prefer the film to the book. In no specific order, here is why. Spoilers abound.

The basic plot: Astronaut Mark Watney has been left for dead on Mars after an accident occurs during a sandstorm. He must rely on his wits and ingenuity to survive, while back on Earth a team of scientists work together to find a way to bring him home.

1.) Ridley Scott can be very hit-or-miss, but he is a genius when it comes to science fiction. I say that in full recognition of the lukewarm Prometheus and the oddly disjointed Alien: Covenant. The future presented in The Martian isn’t as high-tech and gloomy as Alien or Blade Runner, instead it deals with technology that is probably not that far off, as well as plenty of tech will be familiar to the average viewer. Scott incorporates the scientific and technical elements seamlessly into the plot. At one point, when Watney is building a hexadecimal communication system, the mathematics takes a running jump to the level that only a computer engineer could understand. Scott wisely decides not to spend too much time explaining how this system works, instead relying on the trusty science fiction fallback of “it works because science”.

Ridley Scott has long ago mastered the art of using practical effects as much as possible, and when he does resort to CGI he deploys it with a skill and grace that other directors should aspire to. After this year’s overly frantic Ready Player One and the abysmal Jurassic World: Fallen Kingdom, it was a pleasure to watch someone use special effects to enhance a well-told story.

And, oddly enough for Ridley Scott, this film almost has an upbeat feel. Most of which is due to the soundtrack. Speaking of which…

2.) It’s one of my all-time favorite soundtracks. Full disclaimer, I’m currently listening to Earth, Wind, and Fire while drinking a glass of wine on a Saturday night. I have a thing for disco. That said, the disco music, which is mentioned in Weir’s novel as the only thing left for Mark Watney to listen to after his team’s departure, is an inspired choice. The combination of the desolate Martian landscape, the lone and lonely figure isolated on a foreign planet, and the cheerful tunes of ABBA is perfect. I was reminded of Danny Boyle’s Slumdog Millionaire, another film which uses peppy, upbeat music as a background for rather depressing events. Because of this The Martian maintains an optimistic tone despite it’s admittedly bleak subject matter.

3.) Ridley Scott attracts some of the most talented people for his films. Star Matt Damon carries the film on his back. His delivery of Mark Watney is funny and sad and scared and cocky all at once. He definitely earned his Best Actor nomination. Filling out the cast are talents such as Jeff Daniels, Jessica Chastain, Kristin Wiig, Michael Pena, Sean Bean, Kate Mara, and  Donald Glover in a small but hilarious role.

4.) I haven’t talked much about the book yet. This is because, for me, the book didn’t have as great an impact as the movie. I enjoyed the novel, but it was a more straightforward science fiction story. The movie brought a sense of comedy and levity to the difficult proceedings that is lacking in Andy Weir’s novel.

I also feel that technological and mathematical concepts presented in The Martian are more easily understood in a visual format. The novel often feels bogged down in mathematics, and I occasionally struggled to picture what was actually happening as Mark Watney improvises different ways to stay alive on a lifeless planet.

I can’t think of more than ten instances where I’ve truly preferred a film adaptation over the original novel. Even though I have to admit that this is one of those cases, it is only because Andy Weir gave the filmmakers such a great concept in his novel. While I truly enjoyed Weir’s The Martian, I absolutely love Ridley Scott’s film interpretation. Now if you’ll excuse me, I have to go listen to more disco.

Book Review: Gone by Michael Grant (2008)

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Review #99

Sam watches as his science teacher suddenly blinks out of existence in the middle of a lecture. He soon finds out that all of the teachers and upperclassman have also vanished, leaving everyone under the age of fifteen alone in their small California community. At the same time, an impassable barrier appears in a ten mile radius around the town. Within days the bullies are running the show, threatening anyone who opposes them with violence.

It was finally my turn to pick a book for book club! The theme was “superpowers” and I dug around on Goodreads and Pinterest for a few hours trying to find the perfect book. I finally chose Michael Grant’s Gone based on the fact that it had a 3.8 rating on Goodreads and I had heard about it before on a list of best YA science fiction. When I finally settled in with my Kobo and began to read…

Dud. I had picked a big fat dud.

Here are just a few of the notes I jotted down while reading this book:

  • “Twenty pages. The word “brah” used at least once per page.”
  • “Was written specifically in the hopes of becoming a show on the CW.”
  • “Why is Quinn so racist towards Mexicans? Why is everyone okay with it?”
  • “Trying for LOTF. Failing miserably.”
  • “Please stop saying “brah””
  • “Grant writes teenager characters as if he read about them once in National Geographic.”
  • “They’re not very nice to the autistic kid, either.”
  • “STOP SAYING “BRAH””

 

My rating: 1/5. Points for feminist characters and very diverse cast in general. And the kid who went to work at McDonalds was kind of adorable.

You can find Gone here on Amazon or here on Book Depository.

Happy reading everyone!

P.S. Next review will be #100 be sure to check it out!!

 

 

 

 

Book Review: The Girl With All the Gifts by M. R. Carey (2014)

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Review #97

Melanie is a very special girl. She is the smartest in her class, and is always trying to please her favorite teacher, Miss Justineau. Melanie is always very careful to follow the rules. Every day when the soldiers come to her cell, she makes sure to sit very carefully as they strap her arms and legs onto a wheelchair and cover her face with a plastic mask. As one soldier aims his gun steadily at her face, she jokes and says she doesn’t bite. No one laughs. No one laughs much anymore; not with the hungries prowling around outside of the army base where Melanie lives.

Then she gets to attend class with Miss Justineau and the other children, all of whom are bound into their own wheelchairs. Miss Justineau says Melanie is a genius. Melanie loves to tell Miss Justineau about all the wonderful things she’ll see and do after she grows up. She doesn’t understand why this always makes her beloved teacher look so very sad.

Of all the ghosts, ghouls, and monsters that can be found in horror novels and movies, zombies tend to be very hit or miss. The majority of zombie fiction is overly gory, with soulless villains that cannot think or feel or be understood and are therefore not terribly interesting. The ones that transcend the genre, novels like Mira Grant’s Feed or Max Brooks’ World War Z, choose to focus less on the walking dead and more on the people who are struggling to survive in a world where they are no longer the apex predators. The Girl With All the Gifts, like the aforementioned books, tells a very human story in the middle of an inhuman world. It combines the hard medical science of Grant with the intensely personal stories of Brooks to create something unique and fantastic.

This is a novel in which each of the characters has their own struggles and victories, flaws and strengths. The young schoolteacher finds herself doubting her own judgement when it comes to the fate of her students. The scarred and surly army sergeant is forced to confront his long-held biases about the world he lives in. Even the mad-scientist, who has sacrificed her own moral compass in her desperate journey to find answers, is relatable. By focusing on a small group of compelling individuals, author M. R. Carey is able to make the zombie apocalypse a more personal story.

As the leading protagonist, Melanie is a triumph. She is young and naive, hopeful and eager and engaging. She is smart and resourceful, but at the same time she’s a scared little girl who is struggling to understand the world around her. Carey walks a tight edge and risks making Melanie a little too perfect, but in the end she is just as fallible as everyone else and her motivations are often alien to the adults around her.

I won’t say too much about the overall plot, as experiencing it for the first time was half the fun. Melanie and the others are living on a protected army base approximately sometime after the majority of the population as succumbed to the “zombie” pandemic. The stumbling, rotting, and forever hungry remnants of the human race aren’t reanimated corpses, but are instead the victims of a type of fungal infection. The scientific explanation behind the hungries was one of my favorite aspects of this novel, as I had heard of this terrifying phenomenon taking place in the animal world and could readily imagine the destruction it could cause if it ever found a way to infect mammals.

I’ve been rather disappointed by thrillers lately, but The Girl With All the Gifts went a long way towards restoring my faith. This novel is exciting, suspenseful, and tightly written. It never lags for a second once the plot is set in motion. And it tells a story about what it truly means to be human, and humane, in a world where humanity has become endangered.

My rating: 4.5/5

You can find The Girl With All the Gifts here on Amazon or here on Book Depository.

Happy reading everyone!

 

Book Review: Off to be the Wizard by Scott Meyer (2014)

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Review #83

Martin Banks is just a normal, everyday guy who enjoys digging into the depths of the internet in his spare time. On one of these nighttime expeditions, he stumbles across a discovery that will change his life forever. The world as we know it is nothing more than a computer program; a computer program that Martin is able to change at will. He vows that he will use this newfound power sparingly and with great care. This vow lasts for approximately forty-eight hours before Martin finds himself fleeing back in time to medieval England. He decides to pose as a wizard and make a life for himself in the tiny village of Leadchurch.

Author Scott Meyer makes the smart decision early in this novel not to waste time on how any of the plot elements work. The computer program controls everything about the world because it does, and Martin is able to use this to alter his appearance, his bank account, and his location by teleporting. There is very little time given over to trying to apply logic to an inherently illogical premise, and Meyer avoids getting bogged down in the details.

Instead, he offers up a wildly silly story of a man who tries to fool a village of 11th century English villagers that he is a wizard. Martin downloads the computer code into his phone, and uses it to make himself hover, emit sparks, and speak in a booming voice. Don’t bother asking how his phone continues to work in the past, it just does. This process is laid out in a highly enjoyable montage that reminded me of The Matrix, if Neo were learning break-dancing instead of kungfu.

Overall, Off to Be the Wizard was smart, irreverent, and short enough that it ended before the situational comedy began to wear thin. It never made me laugh out loud, but instead caused a kind of perpetual smirk from beginning to end.

My rating: 3.5/5

You can find Off to Be the Wizard here on Amazon or here on Book Depository.

Book Review: The Power by Naomi Alderman (2017)

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Review #74

A teenage girl is being brutally beaten during a home invasion when she feels a tingling feeling in her hand and finds herself giving her attacker an electric jolt that brings him to his knees and saves her life. Across an ocean, other young girl uses a similar force to kill her would-be rapist. Soon all around the world teenage women are finding themselves developing a previously unknown ability to conduct electric energy with their palms. This change in the power dynamics between genders begins with women releasing themselves from dangerous and unwanted situations, but it doesn’t stop there. All around the world women begin to claim positions of political and religious power, and their intentions are not always good.

Author Naomi Alderman has envisioned a world where different women from different walks of life suddenly find themselves able to physically dominate the male sex. Spanning a ten year period, Alderman takes these women (and men) through all the upheavals and confusion that would accompany such a sudden and potentially dangerous change in traditional gender roles.

As the women begin to realize their new powers, they explore their new opportunities in different ways. Some, such as Margot Clearly, set their sights on politics by empowering the young women in her community to form a militia. Allie sees the chance to form a new religious movement and becomes a powerful cult leader known as Mother Eve. Roxy Monke seizes the occasion to become the head of an international crime syndicate. The only male character with a prominent voice is the Nigerian journalist Tunde, who travels the world and films the increasingly precarious place of men as global society undergoes a radical shift away from patriarchy.

This book would be a wonderful addition to a university course on sex and gender sociology. Alderman brings up some truly interesting questions with her novel. Are women truly the “gentler” sex, or have they taken on more nurturing roles due mainly to their physically weaker bodies? If women were in charge, would the world truly be a more peaceful place, or would females begin to exact revenge on males for all the real and imagined discrimination they have experienced in their lives? Can one sex have the monopoly on violence without becoming corrupted by their own power?

The Power took some time to get its plot rolling, and there were definitely characters that I wished had been given more focus and others that I found a little bland. However, this is one of those novels that I can already tell is going to stay with me. I would be very interested in finding other people who have read this book so that I could explore and discuss the ideas depicted here.

My rating: 4/5

You can find The Power here on Amazon or here on Book Depository.

Happy reading everyone!

 

Book Review: Children of Time by Adrian Tchaikovsky (2015)

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Review #70

The Earth is dying, wrecked and ravaged by humanity. A last group of surviving humans set out on the cargo ship Gilgamesh, beginning a desperate mission to find a new home. Frozen in stasis, they travel for centuries towards a distant solar system and find a wonderful treasure from the past, a planet terraformed and prepared for human life by the humans of the Old Empire. The crew of the Gilgamesh approach the planet with a new sense of hope, only to find that the planet is already occupied by their worst nightmares.

This novel spans thousands of years, beginning as the Old Empire approaches its destruction. Doctor Avrana Kern is putting the final touches on Kern’s World, a planet she has designed to harbor a unique form of intelligent life. Disaster strikes when a crew member decides that Kern does not deserve to play god, and sabotages the ship, killing himself and the experiments that were destined for the planet. Avrana Kern finds herself alone in a small satellite, watching her life’s work burn as it enters the planet’s atmosphere. She enters a cryogenic sleep chamber in the hopes that a passing ship will find her at some point in the future. Unknown to her, something has survived the burning of the ship, and will eventually evolve into a new and monstrous form of life.

Adrian Tchaikovsky’s science fiction novel can be summed up in three words. Giant. Sentient. Spiders. As a lifelong arachnophobe, the early chapters of Children of Time, with their numerous descriptions of spider legs, spider palps, and spider fangs, gave me the serious creeps. But after the initial ick factor wore off, I found myself oddly intrigued by the descriptions of spider society presented in this novel. The spiders begin to evolve from the simpleminded predators that we have today into a true society. They develop language, culture, and technology that will allow them to contact the Messenger, the satellite orbiting their planet. They also engage in warfare, discover religion (and religious persecution) and begin to unravel the mystery of their own existence. Tchaikovsky should be applauded for his descriptions of the spider civilization. It is no easy task to convincingly write non-humanoid characters that feel “real”, especially if those characters are something that our minds naturally see as disgusting. I haven’t rooted so much for a spider’s well-being since Charlotte’s Web.

Another amazing thing about this novel is the way that Tchaikovsky manages to interweave a narrative that spans millennia in a very straightforward and linear fashion. As we watch the spiders evolve and grow their society, we also follow the crew of the Gilgamesh as they develop their own unique culture aboard the ship. Our primary protagonist among the humans is Holsten Mason, the resident “classicist” whose function is to interpret the language of the ancient Old Empire. He emerges from stasis at various intervals throughout time, and watches as the crew of the Gilgamesh fall prey to so many of the same follies that have plagued humanity since the beginning. Arrogance, selfishness, and megalomania are still entrenched in the human psyche, and Mason is there to testify that even though humans have managed to destroy their own planet, they may not have learned from the experience. Many science fiction writers take a rather pessimistic view of mankind, and Tchaikovsky is no exception. He does instill a pervading sense of hope throughout the novel; as flawed as humanity is he definitely sees the possibility of redemption.

This was a beautifully written novel that challenges our preconceived notions about what it means to be human. I truly enjoyed this book.

My rating: 4/5

You can find Children of Time here on Amazon or here on Book Depository.

Happy reading everyone!

 

Book Review: More Than This by Patrick Ness (2014)

Image result for more than this patrick nessReview #68

In the freezing waters off the coast of Washington, a boy succumbs to the crashing waves. He dies, cold and alone. Then, he wakes up. He is naked, weak, and thirsty; but he is alive. He is entirely alone in a deserted and desolate place. As he struggles to understand what happens, he begins to question whether or not this is truly the end, and whether or not there is more to life after death.

This was the June pick for my monthly book club, and the theme was “dealing with the afterlife”. Considering that author Patrick Ness wrote the heart-breakingly beautiful A Monster Calls, I went into this novel fully expecting another tearjerker. Instead, More Than This defied all my expectations by journeying into the world of science fiction.

Seth wakes up to a world that has been abandoned. The neighborhood he finds himself in is covered in weeds, dirt, and silence. Since Seth clearly remembers drowning in the freezing waters of the Pacific Ocean, he comes to the conclusion that he is in a strange, lonely version of Hell. If this is Hell, it’s an oddly mundane version that seems to focus more on discomfort and isolation than fire and brimstone. Seth’s attempts to solve the mystery of his surroundings are what carries that bulk of Ness’ narrative.

Patrick Ness has always been a favorite author of mine because he tackles delicate issues with tact and sensitivity. Instead of beating his readers round the head with a “lesson” that needs to be learned, he tends to come at the situation sideways. By doing so, he avoids the proselytizing that can occasionally saturate novels that deal with death and dying. His characters manage to be vulnerable without being weak, and they are resourceful while still being immature enough to make mistakes.

I really enjoyed this novel. It continually managed to surprise me, and avoided coming across as preachy. I have always enjoyed a new novel by Patrick Ness, and More Than This continued the trend.

My rating: 4/5

You can find More Than this here on Amazon or here on Book Depository.

Happy reading everyone!

 

 

Book vs Film: Ready Player One

 

Last week I sat down in my living room to watch Ready Player One. Twenty minutes in I was ready to throw in the towel, but decided to stick out the two-hour running time in the hopes that things might improve.

 

Things did not improve.

 

As soon as the credits rolled, I picked up my copy of Ernest Cline’s novel and began to read it for the third time in the hopes of scrubbing the events of the evening out of my mind. I began taking notes as I read, trying to pinpoint the exact reasons why I found myself so enraged by Steven Spielberg’s adaptation of the book. In no specific order, here are my thoughts on Ready Player One the film vs the novel. I would recommend either watching the film or reading the book before viewing this review. Spoilers abound.

1. It was like watching  a completely different story. Prior to watching, I had been told by several people that the movie was relatively enjoyable as long as you didn’t expect it to follow the book too closely. I took that to mean that there would be minor plot points that varied from the books in order to make the film flow a bit smoother. For example, in the Harry Potter films, it makes sense that they chose to omit certain characters and most of the Quidditch games; if they hadn’t every movie would be a long rambling mess. However, Spielberg seems to have taken the original source material for Cline’s novel, ripped out approximately thirty pages of it and used that to build his narrative. The heart of Ready Player One was completely lost in translation.

2. The opening scene did not instill me with confidence. During the exposition of the film, instead of a series of puzzles that require the characters to rely on their intelligence and problem-solving skills, we are treated to a twenty minute action sequence. There are giant dinosaurs, King Kong, and countless CGI explosions that must be navigated for the heroes in order to make it through the first gate. Right away, I could see that something had gone horribly wrong. The film leaves out the equal playing field that James Halliday set up for all the users of OASIS. In the novel, he placed the Copper Key on a planet where a) everyone had free and unlimited access to travel and b) violence was not permitted. This essentially meant that no matter how strong and high-ranking your avatar , the only thing that would allow you to reach the first key was your wit and your obsessive knowledge of obscure pop culture. In the film, all of that has been replaced with yet another generic car chase.

3. Spielberg missed the point of the Easter Egg hunt. Speaking of obscure pop culture, let’s talk about that. Ernest Cline’s novel delved so deeply into the realm of 1980’s music, television, film, and video games that one would need a submersible to follow after him. While reading the book, I found myself having to Google Japanese anime from the 1970’s. I had to familiarize myself with the fundamentals of text-based video games. When Wade or one of his fellow gunters finally solved one of the riddles, it was  genuinely impressive, because who the has the energy to devote their time and energy so completely to learning about this stuff? How many people can read a limerick and understand that it is referencing the limited edition cover of a thirty year old video game? In the novel, the difficulties that Parzival, Art3mis, and Aech face are actually difficult. When watching the film, all I saw was the growing trend of referencing things in a nostalgic way so that viewers will feel smart when they understand the references. Literally everyone watching the film knows the Tyrannosaurus from Jurassic Park. Or the Iron Giant. Or a DeLorean. There’s no challenge there. Spielberg dumbed down the pop culture references to the point where my six year old nephew could have found Halliday’s egg. It seems like he was so afraid of alienating any part of his audience, perhaps specifically the overseas audience, that he was unwilling to take even the smallest risk. Instead he chose to pander to the lowest common denominator.

4. He also missed the point of all the pop culture references. Let’s keep talking about pop culture. As I mentioned earlier, it takes a certain kind of individual to commit themselves so entirely towards one goal. In the novel, Parzival notes that he has seen Monty Python and the Holy Grail something like 178 times. He’s beaten every classic video game. He’s watched every episode of every season of every series that was even remotely popular in the 1980’s. Multiple times. Who does that? Answer – a person who has become mentally unhinged. What Ready Player One fails to truly depict is that the people searching for Halliday’s Egg are deeply unhealthy individuals. Outside of the OASIS, where your avatar can be as handsome, fit, and powerful as the you wish, the actual people are described as overweight, sallow, and anti-social. Ernest Cline’s novel can be seen as a cautionary tale against people living their entire lives in a virtual reality. The film does attempt to address this by having the main characters interact in the real world far sooner than in the book, but at the end of the day this is still Hollywood. Wade isn’t exactly a fashion model, but he’s reasonably healthy and good-looking, and does not seem to be crippled by the type of shyness that exists when you never interact with a person in a real environment. Same goes for the other characters. For a group of people who live their entire lives in isolation, they’re remarkably well-rounded.

5. He missed the point of the entire book. My biggest problem with Spielberg’s interpretation of Ready Player One is that the stakes just don’t seem that high. Parzival and his fellow gunters are searching for the egg so they can get rich. There’s also the situation with the “Sixers” who are trying to find the egg so that they can use the OASIS to make a lot of money by selling advertising space and charging fees for users. This is all very sad and capitalistic and greedy. But also, so what? It would be like if everyone who was currently online went to digital war over net neutrality. If we won, awesome. But if we lost, it’s shitty but it’s not the end of the world. The film fails to convey the novel’s premise that the global society we now know and enjoy has fallen apart. Global warming is causing widespread famine. The rural parts of America are lawless Mad Max style wastelands. People are being sold into indentured servitude for failing to pay their bills. And in the midst of all this poverty, hunger, and destitution is an escape from reality in the land of the OASIS. Not only that, but it offers free school for the entire nation. Let me repeat that. It offers free school for the entire nation. So in Cline’s novel when Parzival and the others explain that if the Sixers get the egg it will have a drastic and negative impact on society as a whole, we as readers understand the stakes. In the film it comes across more like a millennial wet dream of sticking it to the man. To be fair, Spielberg includes the scene where Sorrento and his cronies blow up Wade’s housing unit and kill hundreds of people. But the scene has absolutely zero emotional weight because not five minutes later we are introduced to Samantha and the resistance and no one stops for even a moment to grieve for the lives lost. The romantic subplot of the novel becomes the driving force of the film. Other significant deaths from the book are omitted entirely, which only underlines the fact that Spielberg was willing to take absolutely no risks with his nice, safe, family-friendly motion picture. The final battle has all the urgency and intensity of a boss-fight in a video game. It’s frustrating if you lose, but it’s not the end of the world.

6. On a lighter note… I’ve ragged a lot on the film, so I need to take just a second to talk about the few aspects that didn’t piss me off. The scene that took place in The Shining was visually amazing. Implausible, since Aech would most definitely have been aware of the the film’s plot-line, but it looked really cool. Crap, turns out I can’t even give a compliment without unintentionally back-handing it. The movie looked very…expensive? I did like the gravity-free dance sequence. Okay I give up.

A friend recommended Ready Player One to me a few years ago, and I became an overnight fan. The book is fun, inventive, smart, and exciting. When I heard that the film was going to be directed by Steven Spielberg, I immediately felt uneasy. To be honest, I haven’t trusted Spielberg or his artistic vision since he Crystal Skull-fucked the Indiana Jones series. So there was definitely an element of bias when I sat down to watch Ready Player One last week. At the same time, I did try to give it a fair shot. In the end, I was remarkably disappointed. I do not think I will be re-watching that film any time soon. And to anyone who hasn’t read it yet, I cannot recommend the novel highly enough.