Book Review: The Map of Salt and Stars by Jennifer Zeynab Joukhadar (2018)

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Review #107

The story of two girls living eight hundred years apart—a modern-day Syrian refugee seeking safety and a medieval adventurer apprenticed to a legendary mapmaker. 

Following the death of her husband to cancer, Nour’s mother wants to be closer to her home country and her family. In the summer of 2011, Nour and her family move from their apartment in New York City to Homs, Syria. But Syria is changing, and not for the better. Shells and bombs become a daily occurrence, and when their house is destroyed Nour and her family are forced to flee across the Middle East and North Africa as refugees.

Eight hundred years ago, a young girl named Rawiya disguises herself as a boy and becomes an apprentice to al-Idrisi, a world-famous cartographer who is embarking on a journey to make a map of the known world. Along the way, Rawiya ferocious mythical beasts, epic battles, and real historical figures.

The gorgeous cover art for Jennifer Zeynab Joukhadar’s The Map of Salt and Stars is what initially attracted me to this book. I knew little to nothing about the plot, and therefore had no expectations. I was pleasantly surprised to find a novel that uses the Syrian Civil War as a backdrop for a story about family, bravery, and finding a place to belong.

A lot of attempts have been made recently to capture the refugee experience. The Map of Salt and Stars tells a deeply personal story. Nour doesn’t care why her neighborhood is suddenly being bombed. She doesn’t understand the political tensions between Libya and Algeria, or why refugee boats are shelled before they can reach shore. All Nour knows is that she has lost everything but her mother and two sisters. She knows that she wakes up every day in a different place, often cramped with groups of other people, all of whom are running away from the destruction and danger of war. By keeping laser-focused on Nour and her plight, Joukhadar ensures that the reader forms a close bond with her.

Also contained within the pages of The Map of Salt and Stars is the story of Rawiya, a young girl who disguises herself as a boy in order to become an apprentice to the esteemed cartographer al-Idrisi. Her 11th century journey with him along a route similar to the one taken by Nour as she flees from country to country. I enjoyed Rawiya’s story and the fresh perspective that it offered. Most of our ideas of the ancient world are from the Greco-Roman viewpoint, but The Map of Salt and Stars shows it through Muslim eyes instead. While Europe was buried in the Dark Ages, the scholars and scientists of the Muslim world made terrific advancements in mathematics, astronomy, and medicine. They also made some of the most detailed maps of the time period, and that is where Joukhadar sets her story.

The Muslim names for the ancient cities of the Mediterranean were unfamiliar to me, and I often found it difficult to know exactly where the ancient adventurers were at any given time. There is a map included along with the table of contents, but it is a bit inconvenient to switch back and forth to the map on an eReader. This may have been one of the reasons why Rawiya’s story fell short in comparison to Nour’s. Rawiya’s struggles against mythical beasts feel far removed from reality, where Nour must fight against an enemy that is far more real and more dangerous.

My rating: 4/5

You can find The Map of Salt and Stars here on Amazon or here on Book Depository.

Happy reading everyone!

Book Review: The Midnight Watch by David Dyer (2016)

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Review #106

As the Titanic and her passengers sank slowly into the Atlantic Ocean after striking an iceberg late in the evening of April 14, 1912, a nearby ship looked on. Second Officer Herbert Stone, in charge of the midnight watch on the SS Californian sitting idly a few miles north, saw the distress rockets that the Titanic fired. He alerted the captain, Stanley Lord, who was sleeping in the chartroom below, but Lord did not come to the bridge. Eight rockets were fired during the dark hours of the midnight watch, and eight rockets were ignored. The next morning, the Titanic was at the bottom of the sea and more than 1,500 people were dead.

I was ten years old when James Cameron’s Titanic was released, and like millions of young girls in 1997, was completely obsessed with the film and the boyishly handsome, adorably baby-faced Leonardo DeCaprio. Twenty years later, my love for Leo has never faded, and neither has my interest in the story of Titanic and its place in history.

The Midnight Watch has the odd challenge of trying to sustain a narrative using characters that were only indirectly involved in the events of April 14, 1912. The story of the Californian, which was the nearest ship to the Titanic on the night of its sinking and could potentially have saved the lives of the 1500 people who died that night, is more of a footnote in the larger context of the Titanic story. The failure of the Californian to respond to the Titanic’s distress signals is one of the countless bits of misfortune that all came together to cause one of the most famous maritime disasters in history. Even James Cameron, whose insistence on historical accuracy during filming bordered on obsessive, did not include the Californian in his film. stating that switching perspectives to another ship took away from the feeling of isolation that the passengers on the Titanic must have experienced that night. In a way this book reminded me of Rosencrantz and Guildenstern are Dead, another instance of “background” characters being given the full spotlight.

Author David Dyer needed to present a cast of characters strong enough to make us forget that our old favorites such as Captain Smith, Thomas Andrews, Bruce Ismay, and Molly Brown are conspicuously absent. He splits his narrative between Second Mate Herbert Stone, the watchman who first saw the white distress rockets sent up by the sinking ship, and Steadman, a bulldog journalist on the hunt for the truth about the Californian. Stone is plagued by guilt and indecision when he wakes up the morning after his midnight shift and learns the fate of the Titanic. His story is sympathetic, but pales in significance when viewed next to the deaths of over a thousand people on the Titanic. Steadman is the archetypal hard-jawed bourbon-soaked workaholic newspaperman from the turn of the century. His only defining characteristic is that he somehow manages to chase down leads and secure interviews with various higher-ups all while being soddenly drunk.

I did enjoy Dyer’s meticulous attention to detail, particularly when describing the Californian and its crew. Dyer worked for years as a ships officer, and he is clearly writing from a place of experience. I don’t know much about naval terminology besides port and starboard, so I enjoyed learning a little bit more about steamer ships. Also, it’s refreshing to read a completely different perspective on a well-known event. One of the things I love most about historical fiction is its ability to help me think of an issue from a variety of angles. The Midnight Watch offers a unique and creative approach to the enduring legend of the Titanic.

My rating: 3.5/5

You can find The Midnight Watch here on Amazon or here on Book Depository!

Happy reading everyone!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Book vs Film: The Guernsey Literary and Potato Peel Pie Society

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Earlier this year, I read The Guernsey Literary and Potato Peel Pie Society (GLPPPS) and fell in love with its lively, romantic spirit and quirky characters. When I heard that they were making this novel into a film starring Jessica Findlay Brown, I was eager to see how they translated a plot consisting only of letters into a cohesive narrative. A few days ago I finally got the catch to see director Mike Newell’s 2018 interpretation of GLPPPS. In no particular order, here are my thoughts on the film versus the novel. I will try to keep it as spoiler-free as possible but my give away certain plot points.

1. This film is a Downton Abbey reunion.  Part of the reason I was so excited to see this movie was that at least four of the main characters were involved with Downton Abbey, my favorite drama about rich British people chatting. Lily James, who plays bright-young-thing Rose on Downton appears here as Juliet Ashton, the writer and book lover who is first drawn to the story of the book club on Guernsey. Jessica Findlay Brown is Elizabeth McKenna, the popular but mysteriously absent creator of the club. Penelope Wilton (also from Doctor Who) is a grief-stricken widow and Matthew Goode is Juliet’s friend and publisher. The sight of all these comfortingly familiar faces helps to ground GLPPPS in its historical time period.

2. Lily James is strangely flat in her role. One of the most engaging parts of the novel is Juliet Ashton’s sincere love of books and literature. She is fully capable of defending her opinion on the relevant styles and thoughts of the day, but does so with such cheerfulness that she never comes across as schoolmarmish. Lily James, who was so bubbly and joyful in Downton Abbey and Disney’s 2015 live-action Cinderella, never comes across as a great lover of reading. Juliet Ashton’s infectious curiosity is also missing, and her eventual spontaneous journal to Guernsey happens almost as a lark rather as a deliberate decision to learn more about the lives of the people there. James seems unable to commit to the more dramatic elements of the plot as well, almost as if she is afraid of looking less than pretty.

3. Jessica Findlay Brown is tragically underused. I understand that Brown’s character doesn’t appear in person during the events of GLPPPS. She is a memory, a reference, a figure in a funny or sad story. Despite that, in the book she always felt so full of life, a bright spot in a dark world that everyone remembers with a mixture of joy and pain. This story belongs to Elizabeth McKenna as much as it does to Juliet Ashton. In the film, she is just demoted to just one of many quirky characters that inhabit flashbacks and whispered stories. Her daughter is supposed to be a turning point in the plot, but is instead relegated to a side note in the film. For an actress as beautiful and talented as Brown, I thought director Mike Newell would find a way to make her shine.

4. The film looks absolutely stunning. Though it was shot in parts of Devon, Bristol, and London instead of Guernsey, the harsh rocky landscape of coastal Britain is always breathtaking to look at. The time period is also accurately portrayed, and the attention to detail on the costumes and props is of the impeccable quality usually found in British historical dramas.

5. The beginning of the film attempts to pay homage to the letter-writing style of the book, but doesn’t quite pull it off. During the first twenty minutes or so of the movie, Lily James’ Juliet Ashton is exchanging letters with Dawsey Adams, a farmer on Guernsey played by Michael Huisman. The movie accomplishes this through use of narrative voice-over and long shots of James curled up in various armchairs, reading letters while drinking tea. Although I appreciated that Newell wanted to include a nod to the letter exchanges of the novel, but it came across as a bit too obvious. Especially when it ends abruptly during the first act and is never revisited.

Overall, I thought the film did a good job of capturing the main plot points and historical details of GLPPPS, but a little bit of the novel’s heart was lost in translation. Given it’s almost complete lack of publicity or marketing, I wonder if the studio didn’t see that as well.

Happy reading everyone!

 

Book Review: The Clockmaker’s Daughter by Kate Morton (2018)

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Review #100

In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.

Kate Morton has been on my shortlist of favorite authors since I first discovered The Forgotten Garden way back in 2011. All of her novels merge historical fiction with mystery, often spanning decades and generations. Morton stays true to form with her latest novel, The Clockmaker’s Daughter, and manages to throw in a few surprises along the way.

Morton loves writing about crumbling English manor homes and her settings often serve as characters unto themselves. The majority of The Clockmaker’s Daughter takes place in isolated and empty Birchwood Manor, but far from the gloomy, neglected halls that characterized Morton’s The Distant Hours, Birchwood is haunted by a ghost of a different sort. The presence which roams the halls of Birchwood Manor is filled with curiosity and kindness for the occasional visitors that come to her home, which has been turned into a museum and historical site. When a new visitor by the name of Elodie Winslow turns up looking for answers that lead back to a long ago summer when a group of artists descended upon the manor, the spirit of Birchwood Manor realizes that secrets are about to be uncovered that have been buried for centuries.

The wonderful thing about Kate Morton’s writing is that it flows so smoothly from time period to time period. The bulk of the narrative follows a group of young artists who venture into the country for a summer of nature and inspiration. The technological and social changes that embody Victorian England are present here; it was interesting to read about the introduction of photography, which would bring about major changes to the art world as the popularity of portraiture faded.

The rest of the novel is set in the present day. It is partly narrated by Elodie, a young archivist who stumbles upon a sketchbook that has been hidden away for decades. The spirit of Birchwood Manor has its own voice as well, detailing the events that have occurred in the house in the long years since its arrival. This is the first novel by Morton to contain a solid supernatural element. There were whispers of fairies and magic in some of her previous works, but the ghost in The Clockmaker’s Daughter is a defined presence with real wishes and desires.

If I had a critique of this novel, it would be the title. While one of the main characters is the daughter of a clockmaker, that fact has no real bearing on the overall storyline. Too many novels are “The _____’s Daughter” or “The _____’s Wife”. It is often is used in fiction to give a different perspective on historical events; however, it is unnecessary in this case. Instead it serves to undermine a strong female character by forcing her to be named only under the title of a male who is not even terribly relevant to the plot. It just felt lazy.

Overall, this was another highly enjoyable novel by a woman who remains at the top of my list for favorite authors. My only disappointment is that I have to settle in for a long wait until her next novel.

My Rating: 4.5/5

You can find The Clockmaker’s Daughter here on Amazon or here on Book Depository.

Happy reading everyone!

 

Book Review: The Terror by Dan Simmons (2007)

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Review #98

In 1845, the HMS Erebus and the HMS Terror departed from England with one hundred and twenty-nine men on a three-year expedition to finally discover the illusive Northwest Passage. The leader, Captain John Franklin, had previously served on three Arctic expeditions, and was the commanding officer on two. Laden down with years worth of food, oil, and coal, the two ships were the pinnacle of British shipbuilding technology.

Both ships became trapped in the ice near King William Island in the winter of 1846. They never moved again. There were no survivors.

Dan Simmons blends historical fiction and horror to recreate the final years of the doomed Franklin expedition, and adds in a supernatural twist. The endless dark and freezing cold of the pack ice is home to a creature of terrifying size and intelligence that is stalking the men in the endless night of Arctic winter.

Simmons treats the environment surrounding Terror as a living thing, constantly growling and shifting to create sudden upthrusts and hidden crevices.  The polar region is one of the most unforgiving places on the Earth, and it is immediately apparent that Franklin and his crew are out of their depths. The ever-moving ice remains implacable in the face of their modern British inventions. After months pass trapped in ice, a summer passes without an escape route emerging. Food rations begin to run low, and mutterings of mutiny can be heard belowdecks. The beast on the ice quickly becomes the least of their worries.

My only negative issue with The Terror is its length. Nearly seven hundred pages is a long time to read about ice. Simmons occasionally becomes repetitive; there are only so many ways to detail a group of people with sinking morale and empty bellies. I enjoyed his use of multiple perspectives, but some of the voices didn’t serve a purpose in furthering the overall plot.

I find myself liking The Terror more in retrospect than I did while actually reading it. I found the length and some of the more meandering narratives a bit frustrating at the time, but I keep finding myself thinking about the fate of the HMS Terror and the horrible conditions that these sailors found themselves unable to escape. This will be a novel that I’ll remember on cold winter nights.

My rating: 3.5/5

You can find The Terror here on Amazon or here on Book Depository.

Book Review: The Winter Sea by Susanna Kearsley (2008)

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Review #87

Carrie McClelland comes to the tiny Scottish village to write about Slains, the local castle that played an important role in the Jacobite uprising of 1708. Carrie hopes to use the crumbling ruins in a historical fiction novel she is writing, but ends up writing a completely different kind of book when she finds herself overwhelmed by someone else’s memories.

Nineteen-year old Sophia Paterson comes to Slains castle after her parents die on a sailing voyage. She finds safety and comfort with her aunt, the Countess, who is playing an active role in bringing the exiled King of Scotland back from France. Sophia finds herself embroiled in a plot that is doomed to fail.

This is my first novel by acclaimed author Susanna Kearsley, and I can see why she is so popular. Her writing style is comfortable and familiar, and she incorporates complicated historical elements in a way that is easy to understand. It is obvious that she has done a great deal of research on the Jacobite uprising and the castle of Slains. I can certainly say that I now know a lot more about the deposed King James II and those who sought to restore him to the throne than I did before reading this novel.

Generally, when an author splits the plot of the book between two characters in different time periods, one of them is going to be more well-developed than the other. That ends up being the case here, as the novel-within-a-novel that is Sophia’s story is far more interesting than Carrie’s plotline. I think Kearsley even began to understand that, since after The Winter Sea hits the halfway mark less and less time is devoted to Carrie’s narrative.

The descriptions of the harshly beautiful Scottish coastline poked my inner travel bug pretty hard. Might have to start looking into a trip to Northern Scotland. Perhaps I’ll stop by Slains castle while I’m there.

My rating: 4/5

You can find The Winter Sea here on Amazon or here on Book Depository.

Note: This novel was later released under the title Sophia’s Secret. No idea why as The Winter Sea is a much better name.

Happy reading everyone!

Book Review: Gods of Howl Mountain (2018)

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Review #86

 

After losing a leg fighting in the Korean War, Rory Docherty returns to the isolated mountain of his birth and continues running bootleg whiskey and trying to out-maneuver the federal agents who are determined to crack down on illegal alcohol. His grandmother Maybelline spends her days mixing potions and herbal remedies for the local townspeople. When Rory meets the daughter of a snake-charming preacher, he finds himself falling in love. But Maybelline Docherty is against the match for reasons that she refuses to admit.

Taylor Brown has a wonderfully descriptive writing style that draws his readers into the world of his creation. The isolated people who live in the hills of Appalachia exist in a society that refuses to conform to modernity even today. In the days following the Korean War, many of the mountain people had little to do with outsiders and instead lived, loved, and died without ever venturing into the larger world. Brown describes the wild and untamed nature of the mountains with a deft hand. His use of metaphor and imagery describe a harshly dangerous world that only a strong and hardy few would chose to live in.

Unfortunately, the characters that Brown places into this beautiful and well-defined world have all the intensity and vigor of a brown paper sack. I felt very little towards Rory because his thoughts, dreams, and desires are never clearly defined. We know he is haunted by memories of the Korean War because Brown tells us he is. But I never felt his pain or his fear. We know he becomes entranced by the preacher’s daughter because the words are written, but I never felt that spark of passion that accompanies the first days of love. His rivalry with a fellow bootlegger and his relationship towards his mentally ill mother are equally uneven.

If you asked me to summarize Gods of Howl Mountain, it would take me a few minutes to remember anything significant about the plot. It simply didn’t leave much of an impression. I do remember a feeling of relief when I finally finished the book.

My rating: 2/5

You can find Gods of Howl Mountain here on Amazon or here on Book Depository.

Happy reading everyone!

Book Review: The Mermaid by Christina Henry (2018)

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Review #85

Once upon a time there was a mermaid who was curious about the lives of men. One day she swam too close to shore, and was trapped in a net by a fisherman. Moved by her alien beauty, the fisherman released the mermaid back into the sea. But the mermaid, entranced by the loneliness in the eyes of the fisherman, used an ancient magic to give herself legs and join the fisherman on land. He named her Amelia and together they lived a long and happy life, until the day came when the fisherman went out to sea and didn’t come back. Isolated in her small cabin on a cliffside, Amelia spends her days watching the sea and missing the fisherman. Many years pass, until another man comes into her life. A man by the name of P.T. Barnum.

Christina Henry has published several revisionist fairy tales, included Lost Boy which I reviewed earlier this year. I would describe her latest novel, The Mermaid, as a re-imagining of the classic story of a mermaid who dreams of life on land. The plot of The Mermaid bares almost zero resemblance to the original Danish fairy tale, choosing instead to follow its own path to 19th century New York City.

The opening of The Mermaid reads very much like a classic fairy tale, with very little dialogue and an omniscient narrator who constructs a sweet and believable love story between a mermaid and a fisherman. The rest of the novel switches to a more modern narrative with the mermaid Amelia as its heroine, a creature who is older and stranger than anyone around her realizes. Christina Henry does a wonderful job of portraying Amelia has inhuman but not inhumane. She has difficulty identifying with those around her but is filled with empathy for the everyday struggles of the people she encounters in New York.

If The Mermaid is lacking anything, it’s a solid antagonist. Because Henry has grounded her story away from its Danish roots, Amelia never makes a deal with a vengeful sea witch. There is no pressing time limit for her to win her true love and remain human. The nearest thing to a villain is P.T. Barnum as the immoral collector of freaks and oddities, but even he is presented as distasteful and greedy rather than actively monstrous.

So far I have enjoyed both of Christina Henry’s novels. I love the imaginative way she transports her readers to another time and place. Her writing is captivating and begs to be read. I’ll keep my eyes open for her next fairy tale interpretation.

My rating: 4/5

You can find The Mermaid here on Amazon or here on Book Depository.

Happy reading everyone!

Book Review: The Nightingale by Kristin Hannah (2015)

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Review #82

Sisters Vianne and Isabelle Mauriac have a strained relationship. Isabelle feels that Vianne abandoned her to a series of convent school and a life of loneliness after the death of their mother. Vianne, still mourning a series of miscarriages, feels that Isabelle is reckless and never stops to think about how her actions may affects others. In a quiet French town in 1940, both sisters are put to the test as the Nazis edge ever closer to the French borders. Vianne believes that France will never fall, and is determined to quietly live and raise her daughter. Rebellious Isabelle longs for a chance to contribute to the war effort. The following years will test their bond, their morality, and their desire for survival.

Earlier this year I read and reviewed Kristin Hannah’s The Great Alone, and immediately fell in love with her writing style and her focus on relationships and the importance of family. I had heard a lot of good things about The Nightingale and was eager to read another book by this author.

There are dozens of novels published every year that deal with World War II and its aftermath. The Nightingale earns its place in the upper echelons of the genre, but ultimately it has to compete with the likes of All the Light We Cannot See and The Boy in the Striped Pajamas, and sadly it falls a little short. There simply isn’t anything new or surprising presented by this novel. It felt as if Kristin Hannah had a checklist of “Nazi Atrocities” that she was gradually ticked off as she wrote. The things endured by the Mauriac sisters somehow seem obligatory rather than organic.

The novel occasionally includes chapters that are set in the United States in the 1990’s. One of the Mauriac sisters, now elderly and fragile, contemplates returning to France to confront her past and honor the sacrifices made. These chapters are utterly unnecessary and were obviously put there to lead up to a “twist” that lacked any sort of punch.

This novel has been so highly recommended by so many people that perhaps I went in with expectations that were impossible to fulfill. Ultimately, I enjoyed The Nightingale, but apparently not as much as others.

My rating: 3.5/5

You can find this novel here on Amazon or here on Book Depository.

Happy reading everyone!

Book Review: One Thousand White Woman by Jim Fergus (1999)

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Review #67

In order to solve the increasingly violent clashes between the United States government and the Native American tribes of the Black Hills, a radical solution is proposed. The Cheyenne are a matrilineal society, meaning that the children belong to their mother’s tribe. The United States asks for volunteer women to marry into the Cheyenne, becoming part of their culture while also trying to introduce Western values within the Native Americans. May Dodd, who has spent a year wrongfully committed to a mental institution, joins a group of women volunteers venturing into the untamed prairies of the Midwest in hopes of finding a new and better life among the “savages”.

It’s clear that author Jim Fergus did an extensive amount of research on the time period and the Cheyenne people prior to writing this novel. Their language and culture are well represented in One Thousand White Woman. He represents the Cheyenne as a people with both good and bad aspects, and thankfully manages to avoid the “noble savage” trope. This is not Dances with Wolves, where the Native Americans are represented as being in perfect and peaceful communion with nature and their fellow man. The Cheyenne are capable of stunning violence as well as loving relationships, just like every society that has ever existed on Earth.

Since the Native Americans are presented as rather primitive I kept waiting for my other least favorite stereotype to rear its ugly head, that of the “white savior”. Also easily recognized in Dances With Wolves, the white savior brings logic and reasoning to a group of people who would would be utterly lost without them. I was pleasantly stunned to see that Fergus somehow evades this pitfall as well. The white woman are looking to be saved more than they are looking to save the Native Americans. Most of them have volunteered for the “Brides for Indian” program to escape horrible circumstances, and have little interest in converting their new husbands to a Westernized system of thinking. The few women that are depicted as attempting to convert or manipulate their Native husbands are seen as an annoying menace.

Considering that Fergus somehow managed to walk the incredibly thin tightrope between cliches, I thought I’d enjoy this book more than I actually did. However, there were a few problems with his writing style that took away nearly all my enjoyment from One Thousand White Women. The first is the Fergus seems to have been trying to break the world record for number of extraneous commas in a novel. This could be something that no one else notices and just annoys me, since I spend an above average amount of time correcting English grammar.

The second thing I found increasingly maddening was how Fergus chose to write his dialogue. He made the decision to italicize any words that are in an English dialect. For example:

“No you don’t, suh, you do not so much as touch my Feeern Louuuuise. Evah. You heah me? Nevah, evah do you lay a finger on my darlindawg

Ya’ve come to the right place, if you’re looking for remote, Broother Anthony that’s for shooore,” said Meggie Kelly greeting the fellow. “Me an’ Susie are a couple a good Catholic gooorls ourselves. An’ we’re ‘appy to ‘aveya along – right Susie?”

Is is just me, or is that the most infuriatingly distracting way to write dialogue? It annoyed me just to type it. Reading this book gave me an active headache, and towards the end of the novel I just started skipping sections that contained italics out of sheer spite. Had I known what I was in for, I would read this book on my eReader, which lacks the ability to italicize words. Although that still would have left the ridiculous drawn out vowels…

It’s rare that such small things are able to detract so greatly from my enjoyment of a book. But both of these issues were so prevalent and obvious that, despite its virtues,  I nearly put One Thousand White Women back on the shelf without finishing it.

My rating: 2/5

You can find One Thousand White Women here on Amazon or here on Book Depository.

Happy reading everyone!