Does Peter Pan Stand the Test of Time?

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Review 2.33

I would be genuinely surprised if there was a child in North America who was not at least passingly familiar with the story of Peter Pan. The enduring quality of the children’s story has led to dozens of film and television adaptations, literary analyses, and reinterpretations over the past century.

I have read and reviewed at least two fairy-tale reimaginings for this website, Christina Henry’s Lost Boy and, more recently, Jodie Lynn Anderson’s Tiger Lily. I truly enjoyed that latest novel, but it made me realize that I’d never actually read J. M. Barrie’s original source material. So I downloaded the audiobook and got to work.

It is almost impossible to separate our collective understanding of the Peter Pan legend from Barrie’s novel (which was originally written as a play). I will, however; try to focus on the character’s as they are presented in the book, and not how they have been portrayed over the years.

This isn’t even so much a book review as it is a look back to see how the original source material has held up over time. Because let’s be honest, there is a magical timelessness about Peter Pan that has captivated generations of children.

And then there some things that definitely have not stood the test of time.

I would have laughed out loud at the British imperialist attitude that pervades this novel if it weren’t quite so alarming. In some ways, the constant references to “the might of Brittannia” or “King and country” were quaint and almost charming.

But then Barrie spends nearly an entire chapter detailing the ways in which the “red savages” are simply inferior to the white man. There are constant references to the Native Americans as “redskins” or “pickaninnies”. They refer to Peter as their “Great White Father”.

It’s an example of racism that is so startlingly casual it almost makes you understand how the 1953 Disney cartoon adaptation thought it would be okay to include songs such as “What Makes the Red Man Red?” *Note – the movie somehow manages to top the book in terms of blatant stereotyping*

I also have a huge problem with Wendy.

She’s such a fucking sissy.

And I get it. This book was originally published in 1911, when women were kind of expected to be sissies. Wendy’s entire personality is sweet, motherly, and ladylike. That’s all she is, and she has nothing in the way of a character arc. She idolizes and worships Peter as the ruling “father” figure, and caters to his every whim. It is such an outdated portrayal of a young girl that I had to constantly remind myself while I was reading that it is literally antique. If anyone ever suggests that the past one hundred years of feminism hasn’t accomplished very much, I’ll show them this book.

With all of this in mind, would I recommend this book to parents?

Absolutely.

I’ve always been of the mind that reading changes the world for the better far more often than it changes it for the worse. Sweeping the bigoted mindset of the past under the rug isn’t the way to go. Instead, parents could use Peter Pan as a way to start a conversation about how ideas have changed over the past century, and why some people used to think in ways that were and are highly offensive.

Also, the more troublesome aspects of Barrie’s novel are but a fraction of the book as a whole. The excitement and adventure of Neverland is still there, as are the wonderfully silly lost boys, the pirates, and of course Peter himself.

I was personally glad I finally got around to reading the book.

My rating: 3.5/5

* Note: I read an unabridged copy of Peter Pan, which I believe contains a lot more offensive language than the one that is traditionally marketed to small children*

 

Book Review: And the Trees Crept In by Dawn Kurtagich

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Review 3.34

 

When Silla and Nori arrive at their aunt’s home, it’s immediately clear that the manor is cursed. The endless creaking of the house at night and the eerie stillness of the woods surrounding them would be enough of a sign, but there are secrets too—questions that Silla can’t ignore: Why does it seem that, ever since they arrived, the trees have been creeping closer? Who is the beautiful boy who’s appeared from the woods? And who is the tall man with no eyes who Nori plays with in the basement at night… a man no one else can see? [Source]

This novel was all style and no substance. I absolutely loved the visual form of this book. Words shrink and grow, they prance gleefully about the pages in a way that is wildly immersive. It creates a surreal atmosphere where the reader knows that nothing is ever quite what it seems. It was very effective at providing an appropriately spooky mood.

Except when it wasn’t. During the periods when Dawn Kurtagich’s novel is forced to play it straight and actually explain itself, it falls apart. Ultimately, this was a book of elaborate tricks hung upon the thinnest of coat-hanger plots. It’s difficult to pull of a stream-of-consciousness-style narrative for any long duration, and this is where And the Trees Crept In meets its downfall. The uncertain, dreamlike state that pervades this book makes it difficult to know what is real and what is not. This is a frequently used tool in the horror/thriller genre, but it has to be backed up by a story that is at least somewhat logical. Early chapters echo legendary short horror pieces such as The Yellow Wallpaper, but then neglect to devote the necessary time towards character development or a coherent storyline.

The central protagonist, Silla, is almost painfully static throughout the course of the novel. She begins the book in a haze of pain and hunger and anger, and that pain and hunger and anger are the only thing that motivate her through the next two hundred pages. There are occasional scenes with a oddly shoehorned love interest that feel forced, but then it’s right back to anger and obsession and constant, repetitive focus on trees.

Overall, And the Trees Crept In was very hit-and-miss. The ultimate explanation for the horrors visiting the sprawling manor home was both obvious and cliche. I enjoyed the middle third of the book the most, and again the visual style was really interesting, but ultimately that isn’t enough for me to recommend the novel.

My rating: 2.5/5

You can find And the Trees Crept In here on Amazon or here on Book Depository.

Happy reading everyone!

 

Book Review: Rich People Problems (Crazy Rich Asians #3) by Kevin Kwan

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Review 2.32

 

**contains minor spoilers for Crazy Rich Asians and China Rich Girlfriend**

The final installment in any trilogy has a lot to live up to. Over the course of two novels, author Kevin Kwan has created a fantastic, opulent, fast-paced, and ultimately charming universe for his increasingly large cast of characters. Now he has to find a satisfying conclusion for all of them.

While RPP doesn’t have the breathless originality of the first novel, it definitely manages to rise above China Rich Girlfriend in terms of plot development. Things begin happening very quickly from the beginning of this book, and from page one I was sucked right back in to the complicated, extravagant lives of the Young/Shang/Leong family.

Rich People Problems does one thing right from the very start. It recognizes that Rachel Chu, the main protagonist from Crazy Rich Asians, has more-or-less played her role as the naive observer. She is largely absent from the bulk of the novel and, due to her complete lack of personality, is hardly missed. This allows Kwan to focus more of his time and attention on more interesting characters such as Astrid, Kitty, and Shang Su Yi, Nick’s grandmother.

The bulk of the plot is focuses on Su Yi, clan matriarch and the current owner of Tysersall Park, the family’s palatial Singapore estate, as she begins plans to draw up her last will and testament. And if the first two books gave us an insight into the behavior of wealthy people at the best of times, woah buddy just wait until a possible inheritance is thrown into the mix. There is also a very Godfather-esque feel to parts of the narrative, as the reader learns more about Su Yi’s danger-riddled youth under Japanese occupation.

Kwan seems to have learned from some of the mistakes of China Rich Girlfriend, and I was glad to see that the obnoxious label-dropping at dropped off to a reasonable amount. That’s not to say that there aren’t numerous glittering descriptions of the splendor surrounding these characters; Kwan knows his readers and continues to embrace the rampant materialism of the first two books. It’s just that this time none of this stands in the way of actual plot development.

It took me almost five years to get around to reading Kevin Kwan’s Crazy Rich Asians series, and once I began it took me less than two weeks to read all three novels. Afterwards, I was consumed by that strange empty feeling that true readers occasionally experience. It’s that weird kind of bittersweet melancholy, because on one hand I had so much fun spending time in Kwan’s world, but it’s mixed with sadness because never again will I be able to enjoy these books for the first time.

I highly recommend the series.

My rating: 4.5/5  (5/5 for Crazy Rich Asians as a complete series)

You can find Rich People Problems here on Amazon or here on Book Depository.

Happy reading everyone!

Book Review: China Rich Girlfriend (Crazy Rich Asians #2) by Kevin Kwan

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Review 2.31

 

**contains mild spoilers**

Being the second novel in a trilogy is a thankless task. The freshness and originality of the first installment has worn off, and the author needs to lay groundwork and build exposition before the final chapter can answer all the open questions. This is why for so many trilogies, both in literature and film, the second chapter is the weakest of the three.

China Rich Girlfriend sadly falls into this “middle child” sinkhole; it gets bogged down trying to resolve all of the plotlines from the first novel while introducing all the people that will become more important in the finale. That isn’t to say that Kevin Kwan’s second novel isn’t fun; it definitely is. But there’s something missing.

For one thing, there are a lot of new characters to acquaint ourselves with. Having just managed to gain a general understanding of the complicated Shang/Leong/Young/ family tree, now the reader must also get to know Rachel’s newly-found extended family (this is not a spoiler, it’s revealed in the prologue) as well as an absolute entourage of new supporting characters.

Perhaps it is that the “label-dropping” reaches a saturation point in China Rich Girlfriend, though it’s possible that someone who actually knew something about fashion would heartily disagree*. The numerous descriptions of luxurious locations gets a bit ridiculous as well; at one point the male protagonist Nicholas Young notices that a yacht’s barstools were upholstered in “genuine whale foreskin” and I actually burst out laughing. Also, turns out that’s a real thing that actually exists in the world.

China Rich Girlfriend also does an incredibly efficient job of tidying up all of the unresolved plotlines from Crazy Rich Asians. The enmity between Rachel and Eleanor Young is swept away in the first fifty pages as if it never really mattered and is never again mentioned in any real capacity. Considering that I just spent four hundred pages watching Eleanor systematically destroy Rachel’s life, this easy resolution was unsatisfying.

Things aren’t all bad, and Kwan’s delight at bringing this secretive and showy world to life is both obvious and infectious. At the very least, I think we can all agree that no matter what happens to Nick and Rachel (who remain almost painfully milquetoast) it is Astrid who truly deserves her happy ending.

My rating: 4/5

You can find China Rich Girlfriend here on Amazon or here on Book Depository.

Happy reading everyone!

*full disclosure-my annual clothing budget is somewhere in the range of seventy-five dollars

Book Review: Crazy Rich Asians by Kevin Kwan

Crazy Rich Asians (Crazy Rich Asians, #1)

Review 2.30

I’ve been putting off writing this review for ages, because I can’t think of the best way to describe Kevin Kwan’s debut bestseller, Crazy Rich Asians. There’s been a ton of hype around this book since it was released in 2013, and it’s already been adapted into a film starring Constance Wu and Henry Golding.

So what can I say that hasn’t been said by a thousand readers and reviewers before me? Not much really. But I can say it again, and in slightly different words. What fun!

Speaking of fun, Crazy Rich Asians was a runaway bestseller for a reason; it’s pure unadulterated escapist fun. Instead of trying to avoid all of the cliches associated with the “chick-lit”* genre, it revels in them. At one point, a character literally pulls out an unlimited AmEx card and utters the words, “This is a fashion emergency!” (or some paraphrase thereof).

Crazy Rich Asians is shamelessly capitalist, and I spent the entire novel in a weird swirl of awe and envy that was nonetheless highly enjoyable. The name-dropping and label-obsession went completely over my head most of the time, but it was certainly an education  For example, I had no idea that “Hermes-orange” was its own color.

The thing that really sets this book apart from the myriads of forgettable chick-lit is that it is also opened my eyes to a culture I previously didn’t know much about and will, in all likelihood, never experience. I imagine this novel will do wonders for the Singaporean tourist industry, already a huge part of their economy. Personally, the numerous descriptions of delicious Hokkien street food were enough to have me poking into flights.

The central plot of Crazy Rich Asians is breathless, exciting, silly, and self-indulgent. The central character, Rachel Wu, isn’t terribly interesting at all and serves mainly as our introduction to this world of extravagant wealth. The bustling, busying, nosying, prying members of the Young family are the highlight of the book, and rarely have I enjoyed soap-opera-esque plot developments so much.

I loved spending time in Kevin Kwan’s world of extreme opulence and backstabbing family members. I also feel like I learned a lot about a culture completely different from my own, which is always a good time.

My rating: 5/5

You can find Crazy Rich Asians here on Amazon or here on Book Depository.

** Personally, I find this term odious but it is a highly-effective description of the genre.

The Midnight Road: Chapter 5

This is the final installment, so enjoy!

If you haven’t had the chance, make sure to read Chapters 1-4! Chapter 1 can be found here.

 

Chapter Five

Lutz couldn’t tear his eyes away from the gruesome sight.

Bud McGuire’s face was frozen in a silent shriek, wide eyes fixed unblinking at the ceiling. His chest had been torn open crudely. The glinting white of ribs poked through the carnage.

Bud’s legs were bent at an impossible angle to his torso. He had been torn almost in two at the groin.

The first scream that passed Sheriff Lutz’ lips was quickly followed by a second. He fell backwards to the ground and landed hard on on his rear, using the heels of his feet to push himself away from the mutilated corpse. His back pressed against the rusted green bathtub, and he idly noticed that the calico dress lain across the edge had a faint pattern of purple violets.

Then Clarkson’s strong brown hands were wrapped around his own, and his deputy hauled Lutz to his feet. They exited the broken bathroom and its grisly contents and went into the corridor, where Billy Hudson was already halfway down the stairs leading to the first floor.

The ancient staircase creaked threatening beneath their boots as the two officers followed the younger man downstairs, desperate to get as fair away from Bud McGuire’s mutilated corpse as possible.

Lutz burst out still-open front door and stumbled down the porch steps. The humid summer air was like a soothing balm against his skin. His lungs heaved with the effort to draw in fresh breath and he sank to his knees, digging his fists into the hard gravel of the walkway. He could hear the footsteps of Deputy Clarkson and Billy sounding down the stairs and out onto the front lawn.

They remained mercifully silent as Lutz fought against the waves of heat and chills that kept alternating their way through his veins. Distantly, as if observing someone else from far above, Lutz understood that he was having a panic attack. With shaking arms he shifted his weight until he was sitting on the lawn bordering the front path. Dry grass crackled as he brought his knees up to his forehead and sat there, breathing in the night air. Somewhere nearby a cricket chirped, breaking the stillness.

Crickets were still chirping.

Somehow, this was an encouraging thought. Lutz raised his head and looked for a moment at the night sky. The sun was still hours away from rising and the sky was pitch black, except for the thousands of glittering stars.

Lutz took a deep breath and held it for a long moment before slowly exhaling. He repeated this steady breathing twice more then wearily got to his feet, wincing as both his knees cracked in protest.  He brushed dry grass off the pants of his uniform and looked at his companions, both of whom had remained silently nearby this entire time.

Nodding once in silent gratitude, Lutz resumed his authority as sheriff. None of them would speak a word of his temporary breakdown, but they could all feel a sudden shift in the atmosphere, as if a sudden bond of kinship had just been forged. Lutz knew that the three of them would forever be bound by the events of this night.

Officer Clarkson looked to his senior officer. “Do you want to check the rest of the property? Look for the rest of the family?”

Lutz began shaking his head almost immediately. “No, we found what we were looking for. This is officially a crime scene. It’s also a forty acre farm with two barns and at least ten outbuildings. We need more men.”

“You want to call in Miller and Sanchez?” Clarkson asked.

Lutz nodded, but then shook his head, “Yeah, we’ll call them in when we get back to the station. No radio signal out here worth a damn anyway. Besides, I think we also need to get on the phone with the mayor’s office. We’re going to need the forensics people in Iowa City or Davenport or wherever the hell.”

At this, Sheriff Lutz turned and began walking back the way they had come. He glanced back once more at the darkened windows of the McGuire farmhouse, which now seemed like looming eyes in the receding light from their flashlights. His boots crunched under the rough gravel of the long driveway as the three men headed back towards the car.

The yellow, sickly looking corn blocked their view on either side, looming far taller than a man even in this unhealthy state. Lutz was struck again by the eerie silence of the place. The humid summer air was heavy and still, not a breath of wind rustled through the stalks. The near-complete absence of sound made him antsy and uncomfortable. The sooner they were back to the car the better.

Billy must have felt the same way; he trotted up alongside Lutz, his rifle loosely grasped in one hand now that they were out of the farmhouse. In a low voice he said, “What will happen now, Sheriff?”

Lutz shrugged, “First, we’re going to go back to the station. I have a bottle of Lagavulin 16 in a locked box in my office. Sheriff Bradley gave me that bottle the day I took office. Now, he told me this whisky was peaty enough and smoky enough to burn away the worst night of your life.Told me there would someday come the night when I would need it. It’s sat in it’s wooden box every night until I really started to think that day would never come. But come it did, and tonight I’m going to open that bottle and drink deep. And you’ll drink with me, if you like.”

Heartened by this prospect, the men picked up the pace and within a few minutes they emerged from the McGuire’s driveway back onto the smooth paved surface of Highway 99. Like an angel in the darkness, Lutz could see the police cruiser sitting on the edge of the road about three hundred yards down. He breathed a sigh of relief, realizing that some secret part of him had expected the black-and-white Chevy to be gone, leaving them stranded at the McGuire farm.

Lutz’ palms were sweating, and he wiped them furtively on the thighs of his trousers. He checked his watch, then checked it again in disbelief. They had barely been gone forty minutes.

When they reached the car, Lutz’ fumbled in his pocket for his keys, then unlocked the door and slid into the driver’s seat. His hands trembled on the steering wheel, and he wondered briefly if he was fit to drive.

Can’t exactly ask Clarkson or Billy to chauffeur me home. He thought resignedly. Lutz unlocked the passenger and back doors, and his companions slid silently into their seats. Clarkson was still holding the buck rifle, and the shotgun was in Billy’s lap, the mounted flashlight still beaming a bright circle on the car’s upholstery. As one, the men fastened their seatbelts. The familiar, everyday click of the metal sliding into place struck him as utterly absurd after the night’s events.

Lutz slid the key to the Chevy into the ignition. He had a horrible, crawling feeling in the bottom of his stomach that when he turned the key, the engine would simply refuse to start. This was ridiculous since the cruiser was barely three years old and had never done anything but purr like a kitten. But tonight, right now, the car wouldn’t start. Because it couldn’t be this easy to just drive away.

The key turned, and the motor roared to life, just as it always did. The front headlights came on, casting two wide beams of light into the darkness around them.

Reflecting back, impossibly high against the skeletal pines of the forest, were a pair of glowing red eyes.

Clarkson screamed first, throwing his hands over his face and crying out in terror.

Lutz couldn’t scream, his voice seemed to have completely locked itself away. His mouth gaped open in horror, but the only sound that came out was a strangled choke.

Billy was scrambling to get out of the police cruiser, but since he was in the back the doors only opened from the outside. He tried rolling down the window, and when that failed he began to panic and bashed at the glass with his fist again and again, but this was equally ineffective.

Billy raised the butt of the shotgun and drew back, preparing to ram it through the window of the car. “NO!” Lutz roared, never taking his eyes from the glowing red orbs watching them from the forest.

He jammed the clutch in, praying to anyone who might be listening that the car did not stall. He shifted into first, gave the engine some gas, and the car began slowly moving. This entire time he continued staring at the red eyes hovering twenty feet above them. They looked back unwaveringly, glittering with a malevolent intelligence. As the cruiser rolled past, the eyes followed their progress, but did not advance. Lutz fixed his gaze on the rearview mirror, waiting for some ravenous beast to come charging behind them.

But there was nothing. The darkness of the night took over, and the eyes receded into the trees.

Intent now on putting as much distance between himself and the McGuire farm as possible, Lutz laid one heavy boot on the gas. Only after ten miles, when he could see the lights of Harry Gibson’s fuel station, did he ease his boot off the accelerator and relax the hunched position of his shoulders. Ten minutes later they pulled up to the darkened windows of the sheriff’s station.

Lutz killed the engine of the cruiser and the three men sat in silence. After a long moment, Henry Clarkson opened his mouth, “What was that thing –” he began, but Lutz put up on hand and stopped him. Lutz shook his head, opened the door of the cruiser with a loud creak, and stepped outside.

Every muscle in his body was accusing him of gross misconduct, and Lutz knew he would feel the punishment the next day. He unlocked the door to the sheriff’s office and went in.

The comfortable surroundings of the dingy sheriff’s station almost brought him to tears. Weakly buzzing security fluorescents cast a dim, yellowish glow on the familiar disarray of desks and chairs. Without bothering to turn on the main lights, he crossed the bullpen to the corner office at the back of the station and went inside his office. On the bookcase against the far wall was a narrow wooden box, which Lutz now opened for the first time in ten years.

Nestled against dark silk was the bottle of Lagavulin 16, given to him by retiring Sheriff Bradley on his last day in office.

There will come a day when you need it.

Lutz motioned to Clarkson and Billy, who had followed him into the station and now stood silently behind him, framing the door to his office. Clarkson had fetched three glasses from the small kitchen, and he set them down carefully on the stained wood of Lutz’ desk.

Andrew Lutz sat heavily in his black office chair. He twisted the cap off the bottle of scotch and poured three fingers into each glass. The amber liquid glinted dully in the dim light. The powerful, peaty smell of the alcohol bit into his nose as he raised his glass and the two men in front of him raised theirs.

“Drink up,” he advised. In the one smooth motion all three of them drained their glasses.

The scotch blazed a fiery trail to his stomach.

To burn the nightmares away.

He reached to refill his glass.

THE END

 

***

Acknowledgements

Creative credit for this idea must be shared with my father Mark, who greatly enjoyed scaring the shit out of his children during long trips on dark country roads.

The Midnight Road: Chapter 4

Check out Chapters 1, 2, and 3!

 

Chapter Four

Deputy Clarkson had been a wonderfully good sport up until this point, but when presented with the prospect of crossing the threshold of this house, he balked. He released his death-grip on his rifle, lowering it to his side and exclaiming, “No offense, Sheriff, but fuck this. I’m not goin’ in there. Let’s go back to the car and call–

“Call who, Henry?” Lutz said flatly. “The state troopers can’t do anything except write tickets to out-of-towners. The town police call us when there is a violent death. So who exactly should we call? Animal control?”

Clarkson glowered back at him, “Then let’s go back to the car and come back in the goddamn daylight, “ he hissed between clenched teeth.

Personally, Lutz felt that Clarkson was speaking the most sense that anyone had all night. But as much as he privately agreed with his deputy’s plan to retreat far away from the McGuire house, they were there and there was a job to do. “Come on now,  Henry. Billy’s been inside. Can’t let the kid show us up now, can we?” Lutz said with a forced lightheartedness that rang false in his ears.

He sighed, ran one hand along his forehead and through his salt-and-pepper hair, and tried again. “Yeah, this sucks. Doesn’t change facts. We have to find out what, if anything, occurred here tonight. So let’s just sack up and get it done, yeah?”

It wasn’t much of a pep talk but it seemed to do the trick. Billy gave a heavy shrug, scuffing his boots against the brown grass bordering the McGuire’s front porch. Clarkson closed his eyes for a moment as if offering up a silent prayer, then reshouldered his firearm and nodded at Lutz. “I’m taking a long weekend,” he stated matter-of-factly. “Gonna take my wife up to Iowa City. Gonna go to Red Lobster. It’s Crabfest.” He continued muttering to himself about his upcoming weekend, but brushed past Lutz and climbed the creaking steps onto the porch.

You can have the whole week off. Lutz mentally promised his deputy. Then he pulled his revolver out of its holster, thumbed the safety off, and followed the two men past the entrance and into Bud McGuire’s home.

A profound silence settled around the men as they crossed the threshold of the McGuire house. The footsteps made by the officer’s heavy boots were muffled by the layer of dust that lay upon the floor. In the beam of the flashlight, the wallpaper in the foyer may have been a sunny striped yellow at some point, but had been warped with water damage and was now the color of old urine.

Ahead of the men was a long corridor with a doorway on either side. On one side, Lutz could see the ubiquitous farmhouse “mudroom”, complete with rows of rubber Wellington boots and heavy winter parkas. The Wellies were dull and cracked with disuse, and the coats were moth-eaten and smelled of damp. A closed door led deeper into the house, probably into the kitchen.

On the left side of the corridor was a room Lutz’ wife would have referred to as a “parlour” when she was alive, with delicate furniture and assorted porcelain figurines. Here was the first evidence of human activity. The dainty tables were smashed to bits, and the rose-patterned loveseat was at a defined angle to a moth-eaten rug, as if someone had forcibly shifted the couch by standing with sudden force. A broken water jug lay in pieces on the floor.

Oddly enough, even these violent scene was gentled by a thick layer of dust. So far, the only sign that a living person had been in the house were the tracks he could see in the corridor that had clearly been made by Billy’s heavy workboots.

Where were the McGuire’s?

Lutz moved on a constant pivot, shining his high-powered flashlight into every corner and crevice. His senses felt electrified as he strained each one of his senses to determine whether or not a threat still lurked in this house. According to his eyes and ears, this was just a normal house, though terribly neglected. “Billy,” he whispered under his breath. “Why the fuck did you even come in here?”

Billy responded equally quietly, “Like I said, sir, I thought maybe someone was in trouble. But when I got here — it was like I just had to keep going. I had to see for myself.”

Lutz understood. He could feel it too. The panicky urge to head back for the car was drowned out by grim determination. He needed to find out what the hell had happened here.

Past the open doorways to the mudroom and the parlour was a flight of stairs that went from the first floor all the way to the attic in a long switchback. The stairs, like everything else in the McGuire house, seemed to be standing upright by sheer force of will alone.

Running along the right edge of the staircase, in a long unbroken line from top to bottom, was a wide swath of dried blood.

The first thought that ran through Sheriff Lutz’ mind in that moment was that he wished he lived in a larger city, with more resources. If they were farther north, near Des Moines or Cedar Rapids, the three men standing in the McGuire house could be surrounded by backup within an hour.

A small fleet of detectives, forensic experts, photographers, evidence baggers and rubberneckers could gather at the homestead. The living darkness of the August summer night would be be beaten back by high-powered flashbulbs and battery-powered spotlights. Under their harsh glare, and soothed by the shop talk of the gathered officials, whatever horrors had visited the McGuire family would be revealed as just another crime scene, still tragic but acceptable to the mind. A sane sequence of events. Unfortunately, his little pocket of eastern Iowa was small and underpopulated, the mechanics needed to properly investigate a potential crime were simply not in place.

As much as Lutz dreaded the idea, it would have to be him that ventured up those stairs, and it would have to be now. He would have to venture up there, and so would Clarkson, as department regulations forbade an officer from entering a potential crime scene alone. Plus, he wanted Clarkson’s steady presence beside him with the Winchester.

That didn’t mean they all had to go. “Billy,” Lutz said to the young man without turning, “if you don’t want to go up there a second time, now is your chance. Go wait for us on the porch. Stand guard.”

“With all due respect sir, there is no way I am staying down here by myself.” Billy squared his shoulders and gave Lutz a defiant look.

“Your choice, kid.” Lutz gave him a nod and turned back to the problem of the staircase. They would have to make sure they didn’t contaminate the crime scene with their boots. The blood was thick all the down the stairs, where it abruptly stopped on the second to last riser. Here, a slightly thicker pool of blood still shone with faint wetness under his flashlight.

Whatever had happened here, had happened recently.

“Slow and steady does it, now. Don’t step in it.” Squeezing his lanky frame to the far edge of the staircase, Lutz placed a heavy boot on the first riser. A puff up dust arose, and the stair gave an wheezing groan, but it did not buckle under his weight.

Lutz began slowly advancing his way up the stairs, pressing firmly on each stair first to test its stability. The staircase creaked and moaned but continued to hold firm, and he motioned for  Clarkson to follow. Lutz could hear his usually taciturn deputy muttering various prayers and swear words under his breath.

The swath of blood continued up the stairs in an unbroken streak. Now it veered off to the right and disappeared into the darkness of a long corridor. The overwhelming odor was of dirt and mold, but the coppery smell of fresh blood was also thick in the air. A few framed photos hung at uneven intervals, their subjects almost completely obscured with dust. The dust on the floor was disturbed now, but there were no distinct tracks; it had been swept almost clean away in some places.

Resigned now to seeing this through, Lutz felt his earlier fear retreat to the back of his mind. The adrenaline pumping through his system was working for him now, sharpening his focus and steadying his pulse. The corridor opened twice to the right, and Lutz circled warily around the open entrance to the first room.

A cursory glance revealed a dingy bathroom. Or perhaps it had once been a bathroom. Now it was a heap of stained and cracked porcelain, with a rusted out pipe hanging loosely where a sink may have been. Torn linoleum covered parts of the floor, but most of it was the same weathered floorboards as the rest of the upstairs. The air was heavy with the smells of stale grime and mildew.

The path of blood, which had become thicker as they advanced along the corridor, continued down the hallway to the second room. Lutz signaled to Billy to cover the entrance of the bathroom, then he and Clarkson advanced, firearms cocked and ready. Lutz still carried the Maglite, held to the top of his service pistol, so he was the first to cautiously peer around the corner of the room at the end of the hall.

 

****

 

When Lutz first shone his flashlight into the darkened room, he actually breathed a sigh of relief. He had expected to find the strewn and dismembered bodies of April McGuire and her children in pieces about the floor.

Instead, the room appeared entirely empty on first glance. There were no severed limbs clad in footie pajamas. There was also no furniture, curtains, rugs or anything else to indicate that the space had ever been occupied by inhabitants other than mice. The bare wooden floor was littered with their droppings, but not much else. He began sweeping his flashlight from floor to ceiling. The walls had been painted a deep scarlet that looked almost wet by the light of the–

Oh.

For a span of time that felt like an eternity but was in reality probably more like thirty seconds, Lutz stood stock still in the entrance to that room, his head cocked to one side like a man trying to figure out a really good riddle. One eyebrow was raised, and his mouth hung open in bewilderment.

The room had been drenched in great splashes of blood that reached all the way to the ceiling in some places. It was swirled in sporadic circles across the floor, and spattered against all four walls. The closest thing Lutz could compare it to

Behind him, Lutz could hear Clarkson’s sharp intake of breath as he also took in the scene before them. Then it was as if all the air went out of his lungs, and Sheriff Lutz suddenly deflated. He felt his knees give way, and had to lean one hand against the outside wall of the hallway for support as his vision blurred and his head spun.

He still held the flashlight in one hand and it was pointed into the room, shining onto the dripping walls. He felt more than saw Clarkson stumble backwards into the wall behind him.

Billy stood at the doorway to the demolished bathroom, studying the mud on his boots. Lutz realized that the younger man had already seen all of this. “Billy, did you see any bodies when you were here earlier?”

Billy met the sheriff’s eyes directly. “When I saw the blood on the stairs, I figured maybe someone was still alive up here. But when I got up here there was nothing. The batteries in my flashlight were starting to die, and then I saw that room, he gestured towards the room with the bloody walls, “I got the hell out of here quick as I could. I didn’t check any of the other rooms.”

“So then where the fuck are the bodies? It looks like Bud McGuire and his family in a Salad Spinner. There’s blood on the goddamned ceiling.” Clarkson queried, stepping closer to the open door of the empty room and glancing inside once more.

“Yeah, but that’s the problem. It’s blood. Just blood. No bones. No organs.” Lutz’ mind was still spinning as it frantically tried to bring a sense of logic into what it had just witnessed. “There should be pieces of the McGuire’s everywhere. But so far, the only evidence of an actual crime is that arm out on the road.” he turned to face the other two men, continuing to speak under his breath.

Clarkson faced him, his normally placid face a mask of tension and fear, “Yeah, how did that arm even get out there? Why does it look like no one has lived here in five years? Where the hell are the McGuires!” this last sentence he said in a whispered shout.

“Are they in the barn? The basement? Did Bud chop them up and carry them into the woods? Was it even Bud? What the hell were those claw marks on the door, Sheriff?” Clarkson continued his questioning in a voice that did not conceal his rising terror.

Lutz gripped his deputy tightly by the shoulders, his own fear gone in the face of his officer’s increasingly panic, “Of course it was Bud, Henry. We’ll find him. Don’t worry.” This idea, as nightmarish as it was, offered  a kind of morbid comfort. Bud McGuire might be a deranged madman who had just killed his entire family, but he was a man.

A man bled when you shot him.

This whole time Billy Hudson had been silent, his eyes fixed on the open doorway to the dingy bathroom. Now Billy cleared his throat, and almost sheepishly said, “Sheriff? You might want to see this.”

Had there ever been less welcome word’s in human history? Lutz pinched his nose between two fingers and reluctantly asked, “What is it?”

Billy just gestured with the head of the shotgun, and in the bright glow from his Maglite Lutz could see a thin line of blood slowly making its way from behind the open bathroom door.

Immediately his heart, which had just begun to resume its regularly scheduled beat, started jackhammering wildly in his chest. Somehow, in that moment, Lutz knew.

Whatever they had come here to find was on the other side of that door.

 

****

 

On their first walkthrough of the corridor, all three men had been preoccupied by the path of blood that led to the room at the end of the hall. Now, upon closer inspection, Lutz realized that there was the faintest glimmer of light coming from the darkened bathroom.

His mouth was dry as a bone, and Lutz swallowed hard and then, pistol still at the ready, he eased around the doorway of the bathroom and put his back against the nearest wall. He checked the corner and, finding it empty, proceeded to circle slowly around the room. Clarkson covered him from behind, while Billy stood guard once more outside the room.

The light was coming from two flickering candles, the tall glass ones of the sort his grandmother used to burn on Sundays. The flames were sputtering their last breaths, and two more candles had already drowned in their own wax. How long do those candles burn? Lutz made a mental note to check and kept his eyes on a swivel, trying to observe as much as possible about the scene.

The candles had been arranged next to a chipped green bathtub. The formed a small circle, in the middle of which was a blackened circle, as someone had foolishly decided to build a fire in the middle of the floor.

On the edge of the bathtub was a draped a faded calico dress. Lutz approached the garment, which had been carefully arranged so as not to wrinkle against the sides of the tub. The tub itself was empty.

Lutz suddenly froze as he heard Clarkson swore a low oath behind him. Filled with sudden dread, he pivoted instinctively on his heel and prepared to fire.

For the first time that night, Andrew Lutz screamed at the top of his lungs.

Slumped in one corner of the trashed bathroom, in a slowly spreading pool of blood, was what remained of Bud McGuire.

***

Click here for the final chapter!

 

Book Review: Tiger Lily by Jodie Lynn Anderson

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Review 2.29

Before Peter Pan belonged to Wendy, he belonged to the girl with the crow feather in her hair…

Fifteen-year-old Tiger Lily doesn’t believe in love stories or happy endings. Then she meets the alluring teenage Peter Pan in the forbidden woods of Neverland and immediately falls under his spell. [Source]

The world of YA fantasy is largely dominated by romances that are painfully trite. Too often the relationships in these books can be boiled down to a collection of tropes. We have the obligatory love triangle, the dangerous stranger with a secret softness, and my personal favorite, “the heroine predictably falls in love with the first man who is described in any detail whatsoever”. Even my some of my favorite authors of the genre, like Sarah J. Maas, fall entirely into this pitfall.

For a book that is marketed towards the under 16 crowd, Tiger Lily, the short novel by Jodie Lynn Anderson tells a very mature story. Not in the sexual sense, but in the way it approaches its characters. Tiger Lily is a fierce, competent warrior who knows the risks and the threat inherit in her choices and makes them with calm certainty. For all her ferocity, Anderson captures the vulnerability of Tiger Lily with all the insecurities and passions of youth.

Peter Pan has been portrayed by boys and girls, men and women of all ages for nearly one hundred years. J. M. Barrie’s original source material left so much of Peter’s true motivations up to interpretation, which in my opinion is part of the enduring magic of the story. Here Anderson has made him a complex and romantic boy on the very cusp of manhood; older than in most iterations, Peter is meant to be around seventeen. And while there are no overtly explicit scenes, Peter Pan has always carried sexual undertones and Anderson does not shy away from the sensuality of the story and its characters.

If I had to describe Tiger Lily in one word, it would be enchanting. Every once in awhile there comes a novel that so truly encapsulates the feeling of first love and first heartbreak that it sweeps its reader away on a river of shared experience. The emotional power of Tiger Lily took me completely by surprise, before I even knew what was happening I was lost in Neverland.

My rating: 4.5/5

You can find Tiger Lily here on Amazon or here on Book Depository.

Happy reading everyone!

Note: By far, the best film adaptation of Peter Pan is the 2003 version, starring Jeremy Sumpter, Rachel Hurd-Wood, and Jason Isaacs. It is the only one to adequately capture the magic in a similar way to this novel.

 

Book Review: Emma in the Night by Wendy Walker

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Review 2.27

 

One night three years ago, the Tanner sisters disappeared: fifteen-year-old Cass and seventeen-year-old Emma. Three years later, Cass returns, without her sister Emma. Her story is one of kidnapping and betrayal, of a mysterious island where the two were held. But to forensic psychiatrist Dr. Abby Winter, something doesn’t add up. Looking deep within this dysfunctional family Dr. Winter uncovers a life where boundaries were violated and a narcissistic parent held sway. And where one sister’s return might just be the beginning of the crime. [Source]

Emma in the Night is one of those purely innocuous novels that is perfect for a long airport layover. Between its relatively slim pages is a story that is fast-paced, entertaining, and entirely forgettable. I finished this book three days ago, and I had to read the Goodreads synopsis to remember much of the plot.

Describing this novel by Wendy Walker as forgettable sounds harsh, but it isn’t meant as such. Sometimes it’s nice to sit down a read a book that doesn’t require your full concentration. It does; however, make writing a review more difficult because there isn’t much to say beyond, “Yeah I read that.”

The dysfunctional family relationship between mother and daughter is at the heart of Emma in the Night. Walker explores the concepts of narcissism and narcissistic personality disorder as they relate to the bonds between the women of the Tanner family. We are told about the psychological strain of growing up in a household ruled over by a manipulative and controlling parent, and how that often triggers a cycle of mental illness and abuse.

I liked that Walker resisted the urge to split her timeline, instead keeping the story in the present tense and delivering important exposition via conversations between Cass and the police. While this does create a distance between the reader and the protagonist, it also avoids the cliche of having constant flashbacks which add nothing to the overall narrative. When the final twist came, as final twists inevitably do in the thriller genre, it didn’t feel like a cheat. Which is high praise from a reader who is thoroughly fed up with unnecessary plot twists.

My rating: 3.5/5

You can find Emma in the Night here on Amazon or here on Book Depository.

Wendy Walker’s debut novel, All is Not Forgotten, was reviewed for this website by none other than my momma! Check it out here.

Happy reading everyone!

Book Review: The Cruel Prince by Holly Black (Folk of the Air #1)

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Review 2.22

Jude was seven when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King.

To win a place at the Court, she must defy him–and face the consequences.

As Jude becomes more deeply embroiled in palace intrigues and deceptions, she discovers her own capacity for trickery and bloodshed. But as betrayal threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself. [Source]

 

I first heard about Holly Black’s The Cruel Prince last year, and had been meaning to check it out for ages, but wanted to finish Sarah J. Maas’ Throne of Glass series before embarking on another journey into YA fantasy. I’m really glad I finally got around to reading it; I was almost surprised by how much I liked this novel. It manages to avoid a lot of the more glaring tropes that have become disappointingly commonplace in YA fantasy.

The Cruel Prince immediately pulls away from the cluttered pack with its heroine. Jude is a mortal who has grown up in constant fear and danger; she dreams of becoming a knight in order to gain a stable position in the Faerie court. The best thing, she isn’t an archer. I am so tired of women being assigned the bow again and again as their weapon of choice; it’s become a tired and overused cliche. But Jude fights with sword, dagger, and crossbow. And poison. And subterfuge. She never stoops quite low enough to enter “antihero” territory, and her motives are generally honorable, but her actions are decidedly less so, which made for a refreshing change of pace.

The world of the Fae has been described in detail by countless authors, and the immortal lands are limited only by the creative limits of the writer. Is it a dreadful and haunted land of twisted and depraved individuals, like in Peadar O’Guilin’s The Call? Or is it an eternal land of beauty and impossibly gorgeous men, like A Court of Thrones and Roses? Holly Black has taken aspects from both interpretations; her Faerie Court is beautiful and deadly, where immortals live a life of luxury but humans are often bewitched and enslaved. It is also filled with one of the most diverse group of Faeries I can recall. Their skin is in every shade from cerulean to sienna; they have horns or tails or goat’s hooves in place of feet. I particularly liked the figure of Jude’s stepmother, whose cold demeanor covers hidden secrets.

I also enjoyed that Black stayed away from yet another overused cliche; Jude is not motivated by romantic love. She isn’t pining after a lost love, or sacrificing herself to save a lover. She also is not driven by any kind of familial duty. Her relationship with her sisters is largely unexplored, something I hope is remedied in the recently released sequel.

Jude is motivated purely by ambition.

She wants to become a knight simply because she wants to be acknowledged as the best. She has been powerless her entire life, and when the opportunity for power presents itself, she seizes it without hesitation.

Ambition is a heady thing, and I will be interested to see where Jude’s ambition leads her.

My rating: 4.5/5

You can find The Cruel Prince here on Amazon or here on Book Depository.

Happy reading everyone!