Beatrice and her friends were a tightly knit group at their prestigious Rhode Island boarding school, until a tragedy struck which left Beatrice’s boyfriend dead at the bottom of a quarry. Jim’s death was ruled as a suicide, but Beatrice never quite believed that could be true. Years later, she attempts to reconnect with her friends at Wincroft, the seaside mansion where she spent so many happier days. After an awkward evening with too much alcohol, a man appears at the door. For Beatrice and her friends, time has become stuck. They will continue to repeat the same day over and over until a decision is made. Only one of them will get a second attempt at life.
Marisha Pessl’s Night Film will definitely make the list of my favorite books I’ve read this year. It was so incredibly unique and creative, and it kept me guessing the whole time without feeling gimmicky. Neverworld Wake is a very different kind of novel; it is oddly repetitive and stale at times, and the characters lack the complexity that I felt so compelling in Pessl’s other novel.
I can’t say too much about the plot without giving away some important spoilers, suffice to say that it involves a kind of purgatory that Beatrice and her friends find themselves trapped in. Too much of the novel is devoted to Beatrice idly following her friends around as they devote themselves to whatever distractions entertain a person who is stuck in limbo. If her explorations contributed anything to the plot, or if they advanced the characterization of the other men and women, this would have been less tedious. Unfortunately, that isn’t the case for most of the novel, and the characters remain flat and lifeless caricatures. I felt a lack of curiosity towards the fate of Beatrice and her friends, mostly I just wanted them to do something other than bitching at one another.
This novel is geared more towards a YA audience than Pessl’s previous works, and that may have contributed to the lackluster narrative. Where Night Film was filled with sex and murder and danger and suspense, Neverworld Wake avoids all of the above and suffers a bit for it. Not that sex and murder are intrinsically necessarily for a good suspense novel, but the adult themes do serve to heighten the tension.
On a positive note, I admired the controlled way that Pessl unravels her plot. She leaves small clues like bread crumbs scattered throughout her narrative, and only after finishing the novel can you follow them backward to a full understanding. Pessl avoids the smug “Have you figured it out yet?” foreshadowing that characterizes too many YA thrillers. This puts it in a higher echelon than comparable novels such as We Were Liars or The Last Time I Lied.
I hope that Marisha Pessl does not intend transition to YA permanently. Not that she doesn’t have the talent for the genre, but because it is a rare and delightful thing to find a thriller that keeps its fangs.
My rating: 3.5/5
Happy reading everyone!